Whether you knew about the “Mixing for Web” panel we hosted and missed it, or it escaped your notice…we’ve got you covered. A recording of the discussion is available for you viewing pleasure. A big thanks go out to Michael Coleman, Paul Andre Fonarev, Cheryl Ottenritter and Ian Palmer for taking time out of their weekend schedules to participate.Read More
In this exclusive SoundWorks Collection sound profile we talk with Director Mark Andrews, Re-recording Mixer and Sound Designer Gary Rydstrom, Supervising Sound Editor Gwen Yates Whittle, and Sound Designer E.J. Holowicki.
Since ancient times, stories of epic battles and mystical legends have been passed through the generations across the rugged and mysterious Highlands of Scotland. In “Brave,” a new tale joins the lore when the courageous Merida (voice of Kelly Macdonald) confronts tradition, destiny and the fiercest of beasts.
Directed by Mark Andrews and Brenda Chapman, and produced by Katherine Sarafian, “Brave” is a grand adventure full of heart, memorable characters and the signature Pixar humor enjoyed by audiences of all ages. The film’s voice cast features Kelly Macdonald, Julie Walters, Billy Connolly, Emma Thompson, Kevin McKidd, Craig Ferguson, Robbie Coltrane and John Ratzenberger.
To make the most complex visuals possible, Pixar completely rewrote their animation system for the first time in 25 years. Brave is also the first movie ever to use the Dolby Atmos sound format.
We’ve got a new Film Sound Discussion Group lined up for you. I thought it was time we started having some in-depth discussions centered around the growing omnipresence of internet streaming as a distribution medium and how it impacts our jobs as audio professionals. This one is going to be set up as a virtual panel, and there are some great participants lined up. We’ve got:
- Michael Coleman of Soundworks Collection
- Paul Fonarev of Miso Sound
- Lew Goldstein of Parabolic
- Cheryl Ottenritter of Ott House Audio
- Ian Palmer (Freelancer)
The free panel will take place on Saturday, June 23rd, at 1PM (U.S. Eastern Time). The discussion is scheduled to last one hour, including some time for Q&A. You can register for the panel here.
Yes, the discussion will be recorded. A link will be posted here on Designing Sound once it is available.
Update – here’s the linkRead More
The SoundWorks Collection talks with the sound team of Director Ridley Scott’s latest science fiction film “Prometheus” including Supervising Sound Editors Mark Stoeckinger and Victor Ennis, Sound Re-recording Mixers Ron Bartlett and Doug Hemphill, Sound Designers Ann Scibelli and Alan Rankin, and Sound Effects Researcher Charlie Campagna.
Ridley Scott, director of ‘Alien’ and ‘Blade Runner,’ returns to the genre he helped define. With PROMETHEUS, he creates a groundbreaking mythology, in which a team of explorers discover a clue to the origins of mankind on Earth, leading them on a thrilling journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
From Academy Award-winning filmmaker Andrew Stanton comes “John Carter”–a sweeping action-adventure set on the mysterious and exotic planet of Barsoom (Mars). “John Carter” is based on a classic novel by Edgar Rice Burroughs, whose highly imaginative adventures served as inspiration for many filmmakers, both past and present. The film tells the story of war-weary, former military captain John Carter (Taylor Kitsch), who is inexplicably transported to Mars where he becomes reluctantly embroiled in a conflict of epic proportions amongst the inhabitants of the planet, including Tars Tarkas (Willem Dafoe) and the captivating Princess Dejah Thoris (Lynn Collins). In a world on the brink of collapse, Carter rediscovers his humanity when he realizes that the survival of Barsoom and its people rests in his hands.
Supervising Sound Editor Jonathan Null and Composer Michael Giacchino share with the SoundWorks Collection their extensive work bringing to life the planet of Barsoom.