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	<title>Designing Sound &#187; soundworks collection</title>
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	<link>http://designingsound.org</link>
	<description>The Art and Technique of Sound Design</description>
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		<title>The Sound of &#8220;Hugo&#8221;</title>
		<link>http://designingsound.org/2012/02/the-sound-of-hugo/</link>
		<comments>http://designingsound.org/2012/02/the-sound-of-hugo/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 10:45:56 +0000</pubDate>
		<dc:creator>Miguel Isaza</dc:creator>
				<category><![CDATA[interviews]]></category>
		<category><![CDATA[videos]]></category>
		<category><![CDATA[eugene gearty]]></category>
		<category><![CDATA[film sound]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[hugo]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[martin scorsese]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[philip stockton]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[soundworks collection]]></category>
		<category><![CDATA[tom fleischman]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=12299</guid>
		<description><![CDATA[In this exclusive SoundWorks Collection video profile, producer Michael Coleman sits down with the oscar nominated sound team of HUGO including co-supervising sound editor Philip Stockton, co-supervising sound editor Eugene Gearty, and re-recording mixer Tom Fleischman. Martin Scorsese’s adaptation of Brian Selznick’s award-winning novel The Invention of Hugo Cabret stars Asa Butterfield, as an orphan &#8230; <a class="btn read-more" href="http://designingsound.org/2012/02/the-sound-of-hugo/">Continue &#8594;</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://designingsound.org/2012/02/the-sound-of-hugo/"><em>Click here to view the embedded video.</em></a></p>
<blockquote><p>In this exclusive SoundWorks Collection video profile, producer Michael Coleman sits down with the oscar nominated sound team of HUGO including co-supervising sound editor Philip Stockton, co-supervising sound editor Eugene Gearty, and re-recording mixer Tom Fleischman.</p>
<p>Martin Scorsese’s adaptation of Brian Selznick’s award-winning novel The Invention of Hugo Cabret stars Asa Butterfield, as an orphan boy who lives in a Parisian train station. Sent to live with his drunken uncle after his father’s death in a fire, Hugo learned how to wind the massive clocks that run throughout the station. When the uncle disappears one day, Hugo decides to maintain the clocks on his own, hoping nobody will catch on to him squatting in the station.</p>
<p>His natural aptitude for engineering leads him to steal gears, tools, and other items from a toy-shop owner who maintains a storefront in the station. Hugo needs these purloined pieces in order to rebuild a mechanical man that was left in the father’s care at the museum — the restoration was a project father and son did together.</p></blockquote>
<p><a href="https://vimeo.com/36426777"><strong>SoundWorks Collection</strong></a></p>
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		<title>The Sound and Music of &#8220;The Girl With The Dragon Tattoo&#8221;</title>
		<link>http://designingsound.org/2012/01/the-sound-and-music-of-the-girl-with-the-dragon-tattoo/</link>
		<comments>http://designingsound.org/2012/01/the-sound-and-music-of-the-girl-with-the-dragon-tattoo/#comments</comments>
		<pubDate>Thu, 05 Jan 2012 18:58:55 +0000</pubDate>
		<dc:creator>Miguel Isaza</dc:creator>
				<category><![CDATA[videos]]></category>
		<category><![CDATA[atticus ross]]></category>
		<category><![CDATA[david fincher]]></category>
		<category><![CDATA[film sound]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[michael semanick]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[ren klyce]]></category>
		<category><![CDATA[skywalker sound]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[soundworks collection]]></category>
		<category><![CDATA[the girl with the dragon tattoo]]></category>
		<category><![CDATA[trent reznor]]></category>

		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=12013</guid>
		<description><![CDATA[In this SoundWorks Collection exclusive we talk with Composers Trent Reznor and Atticus Ross, Sound Re-recording Mixer Michael Semanick, and Re-recording Mixer, Sound Designer, and Supervising Sound Editor Ren Klyce. The Girl with the Dragon Tattoo is a 2011 English-language drama/thriller film. It is the second film to be adapted from the Swedish novel of &#8230; <a class="btn read-more" href="http://designingsound.org/2012/01/the-sound-and-music-of-the-girl-with-the-dragon-tattoo/">Continue &#8594;</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://designingsound.org/2012/01/the-sound-and-music-of-the-girl-with-the-dragon-tattoo/"><em>Click here to view the embedded video.</em></a></p>
<blockquote><p>In this SoundWorks Collection exclusive we talk with Composers Trent Reznor and Atticus Ross, Sound Re-recording Mixer Michael Semanick, and Re-recording Mixer, Sound Designer, and Supervising Sound Editor Ren Klyce.</p>
<p>The Girl with the Dragon Tattoo is a 2011 English-language drama/thriller film. It is the second film to be adapted from the Swedish novel of the same name by Stieg Larsson. The first was a 2009 Swedish-language/English dubbed film. The 2011 film was written by Steven Zaillian and directed by David Fincher. Daniel Craig stars as Mikael Blomkvist, and Rooney Mara stars as Lisbeth Salander. In essence, the film follows a man&#8217;s mission to find out what has happened to a girl who has been missing for 36 years, and may have been murdered.</p></blockquote>
<p><a href="http://soundworkscollection.com/dragontattoo"><strong>SoundWorks Collection</strong></a></p>
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		<slash:comments>5</slash:comments>
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		<title>Gary Rydstrom Talks &#8220;War Horse&#8221;</title>
		<link>http://designingsound.org/2011/12/gary-rydstrom-talks-war-horse/</link>
		<comments>http://designingsound.org/2011/12/gary-rydstrom-talks-war-horse/#comments</comments>
		<pubDate>Sat, 24 Dec 2011 09:12:20 +0000</pubDate>
		<dc:creator>Miguel Isaza</dc:creator>
				<category><![CDATA[videos]]></category>
		<category><![CDATA[film sound]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[gary rydstrom]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[profile]]></category>
		<category><![CDATA[skywalker sound]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[soundworks collection]]></category>
		<category><![CDATA[steven spielberg]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[war horse]]></category>

		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=11981</guid>
		<description><![CDATA[New profile by SoundWorks Collection, featuring sound designer Gary Rydstrom and composer John Williams talking about the sound and music of &#8220;War Horse&#8221;. From director Steven Spielberg comes “War Horse,” an epic adventure for audiences of all ages. Set against a sweeping canvas of rural England and Europe during the First World War, “War Horse” &#8230; <a class="btn read-more" href="http://designingsound.org/2011/12/gary-rydstrom-talks-war-horse/">Continue &#8594;</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://designingsound.org/2011/12/gary-rydstrom-talks-war-horse/"><em>Click here to view the embedded video.</em></a></p>
<p>New profile by <a href="http://soundworkscollection.com">SoundWorks Collection</a>, featuring sound designer Gary Rydstrom and composer John Williams talking about the sound and music of &#8220;War Horse&#8221;.</p>
<blockquote><p>From director Steven Spielberg comes “War Horse,” an epic adventure for  audiences of all ages. Set against a sweeping canvas of rural England  and Europe during the First World War, “War Horse” begins with the  remarkable friendship between a horse named Joey and a young man called  Albert, who tames and trains him.</p>
<p>When they are forcefully parted, the film follows the extraordinary  journey of the horse as he moves through the war, changing and inspiring  the lives of all those he meets—British cavalry, German soldiers, and a  French farmer and his granddaughter—before the story reaches its  emotional climax in the heart of No Man’s Land.</p>
<p>In the exclusive SoundWorks Collection video we talk with Sound Designer  and Re-recording Mixer Gary Rydstrom and Composer John Williams.</p></blockquote>
]]></content:encoded>
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		<title>The Sound of &#8220;The Muppets&#8221;</title>
		<link>http://designingsound.org/2011/11/the-sound-of-the-muppets/</link>
		<comments>http://designingsound.org/2011/11/the-sound-of-the-muppets/#comments</comments>
		<pubDate>Wed, 23 Nov 2011 08:23:41 +0000</pubDate>
		<dc:creator>Miguel Isaza</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[film sound]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[james bobin]]></category>
		<category><![CDATA[james thomas]]></category>
		<category><![CDATA[kevin o'connell]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[sean mccormack]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[soundworks collection]]></category>
		<category><![CDATA[the muppets]]></category>

		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=11734</guid>
		<description><![CDATA[On vacation in Los Angeles, Walter, the world’s biggest Muppet fan, and his friends Gary (Segel) and Mary (Amy Adams) from Smalltown, USA, discover the nefarious plan of oilman Tex Richman (Chris Cooper) to raze the Muppet Theater and drill for the oil recently discovered beneath the Muppets’ former stomping grounds. To stage The Greatest &#8230; <a class="btn read-more" href="http://designingsound.org/2011/11/the-sound-of-the-muppets/">Continue &#8594;</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://designingsound.org/2011/11/the-sound-of-the-muppets/"><em>Click here to view the embedded video.</em></a></p>
<blockquote><p>On vacation in Los Angeles, Walter, the world’s biggest Muppet fan,  and his friends Gary (Segel) and Mary (Amy Adams) from Smalltown, USA,  discover the nefarious plan of oilman Tex Richman (Chris Cooper) to raze  the Muppet Theater and drill for the oil recently discovered beneath  the Muppets’ former stomping grounds.</p>
<p>To stage The Greatest Muppet Telethon Ever and raise the $10 million  needed to save the theater, Walter, Mary and Gary help Kermit reunite  the Muppets, who have all gone their separate ways: Fozzie now performs  with a Reno casino house band called the Moopets, Miss Piggy is a  plus-size fashion editor at Vogue Paris, Animal is in a Santa Barbara  clinic for anger management, and Gonzo is a high-powered plumbing  magnate.</p>
<p>In this SoundWorks Collection exclusive we talk with Director James  Bobin, Film Editor James Thomas, Supervising Sound Editors Kami Asgar  and Sean McCormack, and Sound Re-recording Mixer Kevin O’Connell.</p>
<p>Locate a theater to experience Muppets in Dolby Surround 7.1 at <a href="http://www.dolby.com/" target="_blank">www.dolby.com</a></p></blockquote>
<p>Via <a href="http://soundworkscollection.com/themuppets">SoundWorks Collection</a></p>
]]></content:encoded>
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		<title>The Sound of Real Steel</title>
		<link>http://designingsound.org/2011/10/the-sound-of-real-steel/</link>
		<comments>http://designingsound.org/2011/10/the-sound-of-real-steel/#comments</comments>
		<pubDate>Sat, 08 Oct 2011 19:19:56 +0000</pubDate>
		<dc:creator>Miguel Isaza</dc:creator>
				<category><![CDATA[videos]]></category>
		<category><![CDATA[craig henighan]]></category>
		<category><![CDATA[dan o'connell]]></category>
		<category><![CDATA[film sound]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Real Steel]]></category>
		<category><![CDATA[rob nokes]]></category>
		<category><![CDATA[robots]]></category>
		<category><![CDATA[skip longfellow]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[sound effects]]></category>
		<category><![CDATA[soundworks collection]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[warren hendriks]]></category>

		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=11216</guid>
		<description><![CDATA[Who says robot boxing won’t happen in 2020?! “Real Steel” plays out this fantasy as robots have replaced humans in boxing in this Shawn Levy film (“Night at the Museum” franchise and “Date Night”). Charlie Kenton (Hugh Jackman) loses a chance to become a boxing champion when robots take over, and he becomes a small-time &#8230; <a class="btn read-more" href="http://designingsound.org/2011/10/the-sound-of-real-steel/">Continue &#8594;</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://designingsound.org/2011/10/the-sound-of-real-steel/"><em>Click here to view the embedded video.</em></a></p>
<blockquote><p>Who says robot boxing won’t happen in 2020?! “Real Steel” plays out this fantasy as robots have replaced humans in boxing in this Shawn Levy film (“Night at the Museum” franchise and “Date Night”).</p>
<p>Charlie Kenton (Hugh Jackman) loses a chance to become a boxing champion when robots take over, and he becomes a small-time promoter. When he has difficulty making a living, he reluctantly teams up with his son Max (Dakota Goyo) to build a robot that can contend for the championship.</p>
<p>The stunning visual effects behind the robots can only be brought to life by believable sound. The team responsible for this difficult task include Craig Henighan (sound designer, sound re-recording mixer, supervising sound editor), Skip Longfellow (first assistant sound editor), Warren Hendriks (sound designer), Rob Nokes (sound effects field recordist), and Dan O’Connell (foley artist).</p>
<p>Grab your boxing gloves and step into the ring!</p></blockquote>
<p><a href="http://soundworkscollection.com/realsteel"><strong>SoundWorks Collection</strong></a></p>
<p>&nbsp;</p>
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		<title>The Sound of &#8220;Angry Birds&#8221;</title>
		<link>http://designingsound.org/2011/09/the-sound-of-angry-birds/</link>
		<comments>http://designingsound.org/2011/09/the-sound-of-angry-birds/#comments</comments>
		<pubDate>Thu, 22 Sep 2011 18:20:20 +0000</pubDate>
		<dc:creator>Miguel Isaza</dc:creator>
				<category><![CDATA[videos]]></category>
		<category><![CDATA[angry birds]]></category>
		<category><![CDATA[game audio]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[sound effects]]></category>
		<category><![CDATA[soundworks collection]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[video games]]></category>

		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=11078</guid>
		<description><![CDATA[Finland based composer and sound designer Ari Pulkkinen seems to be one of the most listened to composers in the world right now with over 250 million people who have heard his original Angry Birds theme. Pulkkine’s catchy theme was also recently performed by the London Philharmonic Orchestra which was part of a music festival &#8230; <a class="btn read-more" href="http://designingsound.org/2011/09/the-sound-of-angry-birds/">Continue &#8594;</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://designingsound.org/2011/09/the-sound-of-angry-birds/"><em>Click here to view the embedded video.</em></a></p>
<blockquote><p>Finland based composer and sound designer Ari Pulkkinen seems to be one of the most listened to composers in the world right now with over 250 million people who have heard his original Angry Birds theme. Pulkkine’s catchy theme was also recently performed by the London Philharmonic Orchestra which was part of a music festival in the city.</p>
<p>Angry Birds has been praised for its successful combination of addictive gameplay, comical style, and low price. Its popularity led to versions of Angry Birds being created for personal computers and gaming consoles, a market for merchandise featuring its characters and even long-term plans for a feature film or television series. With a combined 350 million downloads across all platforms and including both regular and special editions, the game has been called “one of the most mainstream games out right now”, “one of the great runaway hits of 2010″, and “the largest mobile app success the world has seen so far”.</p>
<p>Ari has also worked on other very popular games such as Trine (PS3/PC), Dead Nation (PS3), and Outland (PS3/360). The games have received rave reviews and praise for their soundtracks and sound design.</p></blockquote>
<p><a href="http://soundworkscollection.com/angrybirds"><strong>SoundWorks Collection</strong></a></p>
]]></content:encoded>
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		<title>The Sound of &#8220;Rise of the Planet of the Apes&#8221;</title>
		<link>http://designingsound.org/2011/08/the-sound-of-rise-of-the-planet-of-the-apes/</link>
		<comments>http://designingsound.org/2011/08/the-sound-of-rise-of-the-planet-of-the-apes/#comments</comments>
		<pubDate>Sat, 20 Aug 2011 03:26:11 +0000</pubDate>
		<dc:creator>Miguel Isaza</dc:creator>
				<category><![CDATA[videos]]></category>
		<category><![CDATA[chuck michael]]></category>
		<category><![CDATA[doug hemphill]]></category>
		<category><![CDATA[film sound]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[john larsen]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[profile]]></category>
		<category><![CDATA[rise of the planet of the apes]]></category>
		<category><![CDATA[ron barlett]]></category>
		<category><![CDATA[smokey cloud]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[sound effects]]></category>
		<category><![CDATA[soundworks collection]]></category>

		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=10920</guid>
		<description><![CDATA[Acting as a foundation with an origin story for a new film series, Director Rupert Wyatt takes the audience on the science fiction summer hit, Rise of the Planet of the Apes. The stunning visual effects produced by Weta Digital for the apes are complimented by the wide range of sounds recorded and edited for &#8230; <a class="btn read-more" href="http://designingsound.org/2011/08/the-sound-of-rise-of-the-planet-of-the-apes/">Continue &#8594;</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://designingsound.org/2011/08/the-sound-of-rise-of-the-planet-of-the-apes/"><em>Click here to view the embedded video.</em></a></p>
<blockquote><p>Acting as a foundation with an origin story for a new film series, Director Rupert Wyatt takes the audience on the science fiction summer hit, Rise of the Planet of the Apes. The stunning visual effects produced by Weta Digital for the apes are complimented by the wide range of sounds recorded and edited for the film.</p>
<p>Leading the sound team is supervising sound editor and sound designer Chuck Michael and co-supervisor John Larsen with the talents of first assistant sound editor Smokey Cloud and sound re-recording mixers Doug Hemphill and Ron Bartlett.</p>
<p>Chimp Haven serves as The National Chimpanzee Sanctuary. They are an independent, nonprofit organization whose mission is to provide lifetime care for chimpanzees who have been retired from medical research, the entertainment industry or no longer wanted as pets. For more information visit:</p>
<p>www.chimphaven.org</p></blockquote>
<p><strong><a href="http://soundworkscollection.com/riseofapes">SoundWorks Collection</a></strong></p>
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		<title>The Sound of &#8220;Harry Potter and the Deathly Hallows &#8211; Part 2&#8243;</title>
		<link>http://designingsound.org/2011/07/the-sound-of-harry-potter-and-the-deathly-hallows-part-2/</link>
		<comments>http://designingsound.org/2011/07/the-sound-of-harry-potter-and-the-deathly-hallows-part-2/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 01:46:48 +0000</pubDate>
		<dc:creator>Miguel Isaza</dc:creator>
				<category><![CDATA[videos]]></category>
		<category><![CDATA[david yates]]></category>
		<category><![CDATA[deathly hallows]]></category>
		<category><![CDATA[dom gibbs]]></category>
		<category><![CDATA[film sound]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[gerard mccann]]></category>
		<category><![CDATA[harry potter]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[james mather]]></category>
		<category><![CDATA[mike dawson]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[sound effects]]></category>
		<category><![CDATA[soundworks collection]]></category>
		<category><![CDATA[stuart hilliker]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=10600</guid>
		<description><![CDATA[After eight films over a 10-year span, the epic adventure of Harry Potter and his circle of wizard friends will close the last chapter of this celebrated series with Harry Potter and the Deathly Hallows – Part 2. Director David Yates returns to direct his fourth Harry Potter film and returns with his talented sound team &#8230; <a class="btn read-more" href="http://designingsound.org/2011/07/the-sound-of-harry-potter-and-the-deathly-hallows-part-2/">Continue &#8594;</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://designingsound.org/2011/07/the-sound-of-harry-potter-and-the-deathly-hallows-part-2/"><em>Click here to view the embedded video.</em></a></p>
<blockquote><p>After eight films over a 10-year span, the epic adventure of Harry Potter and his circle of wizard friends will close the last chapter of this celebrated series with <em>Harry Potter and the Deathly Hallows – Part 2</em>.</p>
<p>Director David Yates returns to direct his fourth Harry Potter film and returns with his talented sound team including Re-recording mixers Stuart Hilliker and Mike Dawson, Supervising Music Editor Gerard McCann, Supervising Sound Editor James Mather, and Sound Designer Dom Gibbs. Expecto Patronum!</p></blockquote>
<p><a href="http://soundworkscollection.com/hp7">SoundWorks Collection</a></p>
]]></content:encoded>
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		<title>Michael Semanick Presentation at Ex&#8217;pression College</title>
		<link>http://designingsound.org/2011/07/michael-semanick-presentation-at-expression-college/</link>
		<comments>http://designingsound.org/2011/07/michael-semanick-presentation-at-expression-college/#comments</comments>
		<pubDate>Mon, 04 Jul 2011 20:21:31 +0000</pubDate>
		<dc:creator>Miguel Isaza</dc:creator>
				<category><![CDATA[videos]]></category>
		<category><![CDATA[ex'pression college]]></category>
		<category><![CDATA[film sound]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[lecture]]></category>
		<category><![CDATA[michael semanick]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[presentation]]></category>
		<category><![CDATA[re-recording mixer]]></category>
		<category><![CDATA[soundworks collection]]></category>

		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=10533</guid>
		<description><![CDATA[Michael Semanick is a two-time Academy Award winner and has been nominated six other times for Achievement in Sound Mixing. He was nominated for all three Lord of The Rings films and won for Return of the King in 2004. He received his second Academy Award for Peter Jackson’s King Kong. Semanick has been nominated &#8230; <a class="btn read-more" href="http://designingsound.org/2011/07/michael-semanick-presentation-at-expression-college/">Continue &#8594;</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://designingsound.org/2011/07/michael-semanick-presentation-at-expression-college/"><em>Click here to view the embedded video.</em></a></p>
<blockquote><p>Michael Semanick is a two-time Academy Award winner and has been nominated six other times for Achievement in Sound Mixing. He was nominated for all three Lord of The Rings films and won for Return of the King in 2004. He received his second Academy Award for Peter Jackson’s King Kong. Semanick has been nominated twice for his work with Pixar on Ratatouille and Wall-E, and for his efforts on The Curious Case of Benjamin Button in 2008. His nominations for both Wall-E and Benjamin Button were given in the same year. Semanick was recently nominated this year for his work on The Social Network. Michael is excited to be joining our Ex’pression family to speak with the students, faculty, and staff upon the completion of Cars 2 for Pixar.</p>
<p>Ex’pert Series with Michael Semanick hosted at Ex’pression College for Digital Arts in Emeryville, CA on June 23, 2011.</p></blockquote>
<p><a href="http://soundworkscollection.com/michaelsemanick"><strong>SoundWorks Collection</strong></a></p>
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		<title>The Sound of &#8220;Transformers: Dark of the Moon&#8221;</title>
		<link>http://designingsound.org/2011/06/the-sound-of-transformers-dark-of-the-moon/</link>
		<comments>http://designingsound.org/2011/06/the-sound-of-transformers-dark-of-the-moon/#comments</comments>
		<pubDate>Mon, 27 Jun 2011 20:24:32 +0000</pubDate>
		<dc:creator>Miguel Isaza</dc:creator>
				<category><![CDATA[videos]]></category>
		<category><![CDATA[dark of the moon]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[profile]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[robots]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[sound effects]]></category>
		<category><![CDATA[soundworks collection]]></category>
		<category><![CDATA[transformers]]></category>

		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=10479</guid>
		<description><![CDATA[Director Michael Bay and Producer Steven Speilberg return this summer for the third film in the Transformers franchise, Tranformers: Dark of the Moon. The amazing visual effects in this film are complimented by the talented efforts of the sound team including Re-recording Mixers Greg Russell and Jeff Haboush, and Supervising Sound Editor and Sound Designers &#8230; <a class="btn read-more" href="http://designingsound.org/2011/06/the-sound-of-transformers-dark-of-the-moon/">Continue &#8594;</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://designingsound.org/2011/06/the-sound-of-transformers-dark-of-the-moon/"><em>Click here to view the embedded video.</em></a></p>
<blockquote><p>Director Michael Bay and Producer Steven Speilberg return this summer  for the third film in the Transformers franchise, Tranformers: Dark of  the Moon. The amazing visual effects in this film are complimented by  the talented efforts of the sound team including Re-recording Mixers  Greg Russell and Jeff Haboush, and Supervising Sound Editor and Sound  Designers Ethan Van der Ryn, and Erik Aadahl.</p>
<p>This is the first 3D film of the series and will also be presented in  regular 2D, Real D 3D and IMAX, featuring Dolby Surround 7.1 sound.</p></blockquote>
<p><a href="http://soundworkscollection.com/transformers3"><strong>SoundWorks Collection</strong></a></p>
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