Japanese video game composers and musicians get a good bit of coverage and acclaim over in the West, but the people making the booms and whoosh sounds don’t seem to…
While set in the same fictional universe of Ridley Scott’s original offering, and sharing some of its key dramatic events, the director is clear in his intention that…
I got Harry Cohen on the phone to talk about one of my favorite scenes, the opening of Inglourious Basterds. There’s nothing big or over the top in…
I’m happy to announce Harry Cohen as the featured sound designer of November. Bio I was born in New York City a long time ago…..1954. Grew up in…
Supervising Sound Editor Lon Bender of Soundelux discusses the creative process behind the sound design for DRIVE. Soundelux
New article on Post Magazine featuring supervising sound editors Per Hallberg and Karen Baker Landers talking about the sound of “Green Lantern”. Warner Bros. Pictures’ summer action adventure…
Quick article from Post Magazine featuring Mark Mangini, who talks about his work on”Mr. Popper’s Penguins”. Mangini decided to capture original penguin recordings, so he arranged to have…
The Car And Driver website has interviewed Peter Brown (from Soundelux – Fast Five, Fast & Furios, Spider-Man) while he recorded cars at the California City airport. It…
David Poland has made two great interviews at DP/30. In one he talks with Greg P Russell about the sound of ”SALT”. The other one is with Mark Stoeckinger,…
Let’s get started with Tim Walston’s special month. Here is an interview I had with him, talking about general aspects of his career, his favorite tools, techniques, creativity…
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