A quick round-up of recent releases from independent sound designers …
Sonic Salute – Rock & Roll
First up this month we come bearing gifts – an exclusive 20% off coupon for the latest Sonic Salute library pack.
ROCK & ROLL: Rock/Concrete/Metal Impacts and Dirt Debris contains over 300 LCR recordings of rolling rocks, rock and concrete impacts, dirt, debris, you name it. Basically, all the rock, with a lot of extra roll. All files are 24-bit / 192KHz and the product page has some cool info and video footage of the backstory of this collection.
Designing Sound have teamed up with Sonic Salute to give our readers 20% of this collection. Using the coupon code: ROCKTOTHEROLL20 on checkout will give you 20% off the usual $45.00 price, valid for 48 hours from the publication of this here post.
Rock & Roll product page
Sonic Salute homepage
ThalamasLab, has launched an an open call for sound effects and recordings that will contribute to Experimental Sound Lab – a free, experimental and collaborative sound library.
The Experimental Sound Lab shares a number of common goals with the freesound
project based in Barcelona, Spain. However, it comes with one slight difference: a collaborative album will be released featuring tracks created from a selection of the sounds received during the open call. With this in mind, there are a couple of different licensing options available, which you should be aware of if you are thinking of submitting any of your sounds or sound recordings to this project.
METAMORPH is the latest sample library from Twisted Tools, makers of the designed sample libraries as well as some fun and unique Reaktor ensembles. With sounds designed by BJM Mario Bajardi and Komplex (Iter-Research), METAMORPH “takes heavily processed violins, pianos and acoustic instruments and morphs them into impacts, sci-fi atmospheres, user interface elements and beyond.”
METAMORPH comes as stereo 24-bit, 96kHz BWAV files with full SoundMiner metadata for easy searching. It includes sampler kits for Ableton Live 9′s Sampler and Simpler, Logic 9’s EXS24, and Native Instruments’ Kontakt, Battery, and Maschine; Also induced is the MP16d, Twisted Tools’ sample player. METAMORPH contains just over 2 GB of samples broken down into 10 categories: Drums, Imaging Elements, Micro, Noises, Pass By, Sci-Fi Atmos, SFX, Textures, Tonal, and Composite. The “Micro” category includes User Interface and “Microbot” elements. There’s a good selection of sounds to be had, and the added metadata makes finding things fairly easy.
Earlier this year, I reviewed the Hybrid Library from Pro Sound Effects. Overall, it was a fairly positive review. While I was impressed with the library, I also pointed out some of its rough edges. The primary focus of the review was on the library’s metadata and how it would affect work-flow. I won’t go into heavy detail on the process here, as you can simply lick on the link above if you haven’t already read the review. Pro Sound Effects took notice of the few complaints I had with the library, solicited feedback from existing owners, and has taken steps to address the library’s weaknesses. Now that the library is available again, it’s worth seeing if the improvements have made the library any more enticing.
Continuing the field recording theme, A Sound Effect has a guest post up by sound designers Andrew Kirk and Richard Simpson that sheds some light on how they went about recording their latest sound library, UK Ambiences Pack One.
You can read the full post here.