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Posted by on Nov 6, 2015 | 0 comments

New SFX Libraries October Recap

Scattered pumpkins lay in a misty field, eerily highlighted by the dark blue sky, as distant trees sit silhouetted by final rays of dusk.

Photo credits:
“Sunset in the Pumpkin Patch” by David Grimes –

If you have a release coming up and you would like it to be included in our recap, send us the details through our SFX Independence Submission form at


I know what you’re thinking. SFX libraries released in October will contain a lot of howls, screams, muahahahaaas… you know, that old chestnut. While these sounds have their place, October brought us a diverse palette of sound effects, ranging from falling rocks and debris to quiet Athenian and Parisian corners to the roaring engines of tanks and classic cars – one of which will assure you that where you’re going, you won’t need roads. Of course, if you are looking to horrify, a positively gut-wrenching library that was recently released should satisfy your sadistic needs.

To learn about the new audible candy that is available for your projects, read on…

Rocks Momentum by Mattia Cellotto
You’re hiking in your favorite alps and oh crap! the ground beneath you gives away. Besides the piercing screams, what does that experience sound like? Rocks Momentum can help you out with a multitude of stones, rocks and bricks that use gravity at its finest to crush whatever’s below. This library contains the satisfying crunches and crashes of rocks, tile, cement and bushes as they meet their demise and the rumble of landslides that nearly take you along as they splash into the glacial lake below.
(1100 assets, 1.8 GB, 24bit/96kHz)

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Posted by on Sep 29, 2014 | 1 comment

SFX Independence – September 2014 (Part 1)

It has been a little while since the last SFX Independence post. So many new sfx libraries have come to our attention during that time that this roundup comes in two parts, designed to make it more digestible. Part 2 will follow later in the week.

Our aim is to provide readers information about the best and most innovative independent sound effects library available, so if you’d like your recently-released library to be considered for inclusion in the next roundup, all you need to do is fill in the Independent SFX Library submission form.

Tim Nielsen – Yellowstone

The Yellowstone SFX Library comprises 120 stereo tracks, recorded at 96/24 by supervising sound editor and sound designer Tim Nielsen. This 8GB pack of sounds from the Yellowstone geothermal volcano in Wyoming, USA, includes giant geysers, bubbling mud pots, fumaroles, hot springs, water streams and more.

Recorded using a SoundDevices 722, using Schoeps MS rig (CMC6 XT extended frequency bodies with an MK41/MK8 Capsule setup) and a Telinga Stereo Parabolic microphone.

Released: August 2014
Price: $50.00

Tim Nielsen on IMDB
Sonic Salute

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Posted by on Jun 19, 2014 | 1 comment

SFX Independence – June 2014

A quick round-up of recent releases from independent sound designers …

Sonic Salute – Rock & Roll

First up this month we come bearing gifts – an exclusive 20% off coupon for the latest Sonic Salute library pack.

ROCK & ROLL: Rock/Concrete/Metal Impacts and Dirt Debris contains over 300 LCR recordings of rolling rocks, rock and concrete impacts, dirt, debris, you name it. Basically, all the rock, with a lot of extra roll. All files are 24-bit / 192KHz and the product page has some cool info and video footage of the backstory of this collection.

Designing Sound have teamed up with Sonic Salute to give our readers 20% of this collection. Using the coupon code: ROCKTOTHEROLL20 on checkout will give you 20% off the usual $45.00 price, valid for 48 hours from the publication of this here post.

Rock & Roll product page
Sonic Salute homepage

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Posted by on Jan 13, 2014 | 0 comments

ThalamasLab Initiate Experimental Sound Lab Project



ThalamasLab, has launched an an open call for sound effects and recordings that will contribute to Experimental Sound Lab – a free, experimental and collaborative sound library.

The Experimental Sound Lab shares a number of common goals with the freesound project based in Barcelona, Spain. However, it comes with one slight difference: a collaborative album will be released featuring tracks created from a selection of the sounds received during the open call. With this in mind, there are a couple of different licensing options available, which you should be aware of if you are thinking of submitting any of your sounds or sound recordings to this project.

Check for the licensing options, as well as for full details on submission requirements.

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