If you are a sound effects or synth creator who has submitted a library to the Designing Sound monthly recaps and you would like to contribute to this series (and for some you haven’t received the questionnaire—check your spam folder), please email firstname.lastname@example.org.
In this eighth installment about how SFX creators have pushed artistic and professional boundaries, we hear from TONSTURM, Sonicsalute.com, Field Recording Working Group, and Monte Sound. Stay tuned for our final collection of stories from our community later this week.
What is your name, and who are your team members/co-creators?
TONSTURM @TONSTURM: Our company is TONSTURM, and we are two sound designers who run the company: Tilman Hahn and Emil Klotzsch.
Sonicsalute.com @SonicSalute: I am Mikkel Nielsen from Sonicsalute.com
Field Recording Working Group: The Field Recording Working Group is Katsy Pline, Danny Lewis, Daniel Shubat, and whomever else who would like to join us in our practice.
Monte Sound: My name is Ana Monte, founder and sound designer at www.montesound.com, occasionally collaborating with SoundBits.
Photo retrieved from Pixabay. www.pixabay.com/en/winter-trees-forest-woods-valley-93000/
If you are releasing a new SFX library and you would like it to be included in our recap, please send us the details through our SFX Independence Submission Form.
As we move onto February, let’s take a walk through the days of internet yore and listen to the libraries released last month. We have a range of sound effects to include unique impulse responses, crunchy, grainy synths layers, candid urban and rural life, elements traveling through pipes, and plenty of precipitation to drench your watery scenes.
Fringe Elements by The Coil
This is crunchiness at its finest. Fringe Elements by The Coil has distorted, pulsating textures that make you feel as if your old IBM PC evolved in its landfill and is now stalking you. This library contains 225 heavily processed sounds such as noise, FX, distortions, rhythmic textures, and ghostly atmospheres that when layered on a mix will surely transform it. This library is also hearty enough to create the foundation for you to express that granulated punch you feel in your stomach.
(225 WAV files, 800 MB, 24bit/48kHz)
Storm Lake HD Pro by The Recordist
Have you ever had a day on the beach where the waves were perfect but your wind muff just wasn’t having it? Lament no longer, because ‘The Recordist‘ Frank Bry has your back. During a northerly storm last October, winds wooshed across the lake at 25 to 45 mph and Frank captured the clear waves that ensued. With his Schoeps MK4 and MK8, he caught them crashing against the docks, beaches and rocky shorelines. What better way to spend a day at the beach? Also, to celebrate the winter’s halfway point in Idaho, The Recordist is having a sale with a 25% storewide discount.
(16 WAV files, 1.42 GB, 24bit/96kHz)
“Sunset in the Pumpkin Patch” by David Grimes – https://www.flickr.com/photos/grimeshome/22521094741/
If you have a release coming up and you would like it to be included in our recap, send us the details through our SFX Independence Submission form at http://designingsound.org/contact-2/sfx-independence-submission/.
I know what you’re thinking. SFX libraries released in October will contain a lot of howls, screams, muahahahaaas… you know, that old chestnut. While these sounds have their place, October brought us a diverse palette of sound effects, ranging from falling rocks and debris to quiet Athenian and Parisian corners to the roaring engines of tanks and classic cars – one of which will assure you that where you’re going, you won’t need roads. Of course, if you are looking to horrify, a positively gut-wrenching library that was recently released should satisfy your sadistic needs.
To learn about the new audible candy that is available for your projects, read on…
Rocks Momentum by Mattia Cellotto
You’re hiking in your favorite alps and oh crap! the ground beneath you gives away. Besides the piercing screams, what does that experience sound like? Rocks Momentum can help you out with a multitude of stones, rocks and bricks that use gravity at its finest to crush whatever’s below. This library contains the satisfying crunches and crashes of rocks, tile, cement and bushes as they meet their demise and the rumble of landslides that nearly take you along as they splash into the glacial lake below.
(1100 assets, 1.8 GB, 24bit/96kHz)
Let us know about recent independent sfx library releases by using the SFX Independence Submission Form.
Announcing one of their largest libraries ever, Matter Mayhem from SoundMorph is all about debris and destruction. Created in collaboration with Frederic Devanlay (Sinematic, Solar Sky) and Cedric Denooz (Future Weapons), it contains over 1,500 sounds rendered as 24bit/96khz .WAV files, including:
– Bomb Blasts
– Blow Ups – Stone, Pebble, Metal, Wood
– Debris – Stone, Wood, Glass, Plastic
– Scaffold Impacts
Matter Mayhem is in Presale until April 28, 2014. Once purchased, it will be immediately available for download in your User Account. Check the website for full details.
If you create independent sound effects libraries and would like us to consider your recently-released library for inclusion in a future roundup, use the SFX Independence Submission Form to tell us all about it.
Tovusound – India Ambience / CityBeeps Cologne
Tovusound have made available two ambience packs that will transport you to the heart of Europe and South Asia.
The India Ambience sample library contains the sounds of big cities, nature, people and vehicles. Featuring 178 sounds recorded in 96 kHZ / 24-bit ORTF Stereo, India Ambience should prove a welcome addition to sound editors, sound designers and audio producers needing to fill in backgrounds or transitions with sounds from the region.