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Posted by on May 18, 2015 | 1 comment

DESTROY! …with Caution

Photo by Flickr user Kit, used under Creative Commons License

Photo by Flickr user Kit, used under Creative Commons License

I love building things. I spent a great deal of my childhood building all kinds of creations out of LEGO and K’NEX (and I still do). Of course, one of my favorite parts of the building process was the necessary destruction of the older things to make the new. Working with sound, especially taking apart the normal, everyday sounds to build new and interesting sounds, has always struck me as an extension of this. Though I’ve gleefully annihilated countless LEGO creations over the years, the scars on my fingers from sharp plastic bricks are there to remind me that while it can be a great deal of fun to destroy all the things, a tiny bit of caution can go a long way.

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Posted by on Apr 24, 2015 | 0 comments

Creative Field Recording: “Visual Microphones” Create Missing Audio

In his newest blog post, Paul Virostek of Creative Field Recording examines an interesting question: If we’re able to recolorize black and white films, can we do the same with audio? The article discusses unique techniques and tools like visual microphones, which transcend regular audio restoration and offer the possibility of creating audio that would have been present in the original visuals. Check out the post here.

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Posted by on Apr 16, 2015 | 1 comment

Creative Field Recording: Book Recommendation Round-Up

Looking for some good sound-centric reading this summer? Paul Virostek of Creative Field Recording has collected a number of must-read lists, reviews, and resources on some of the best books focused on creative recording and sound design in a recent blog post.

Included in Paul’s list are some of Designing Sound’s own recommendations, found here and here, but be sure to check out the blog post at CFR for many more great suggestions!

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Posted by on Apr 14, 2015 | 0 comments

SoundWorks Collection: Lionel Train Recording

In a new entry in their podcast series, SoundWorks Collection speaks to Michael Raphael of Rabbit Ears Audio and Rudy Trubitt, Director of Audio for Lionel Trains. They discuss Rudy and Michaels experiences in sourcing new steam whistles for Lionel’s new products, exploring the challenges presented in recording the high-SPL steam whistles and the recording techniques they used,  as well as finding unique sounds to fit Lionel’s specific needs.

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