Designing SoundMy Impressions of Dolby Atmos
Thursday, November 8, 2012
One of the hot topics at AES this year…and by “hot,” I mean a subject that had multiple conference sessions devoted to it…was the concept of adding height…
SoundWorks Collection – The Sound of Chasing Mavericks in Dolby Atmos
Thursday, October 25, 2012
The SoundWorks Collection talks with the sound team of Director Michael Apted’s Chasing Mavericks including Craig Henighan (Sound Re-recording Mixer) Paul Massey (Sound Re-recording Mixer), Bryan Pennington (Dolby…
Mix Magazine – September: Beyond 5.1, Paul Massey's Studio and Sound of Reality TV
Friday, September 3, 2010
The September’s Issue of Mix Magazine is now online, and includes features several articles on sound for film and television: Beyond 5.1 – From the megaplex to amusement…
Mixing "Robin Hood"
Friday, June 4, 2010
Mix has published an article about the sound mixing of Ridley Scott’s Robin Hood. Check: “It’s going to need a lot of work,” acknowledges dialog/music re-recording mixer Paul…
The Approach of a Re-Recording Mixing Team
Monday, May 31, 2010
The May-June Issue of MPEG Magazine contains an interesting article about the different approaches of four re-recording mixing teams from Los Angeles and New York. The re-recording mixing…
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