From July 8th through July 17th, Internationale Film Fernseh und Musik Akademie will be hosting Media Sound Hamburg; its 6th International summer school for film music, game music and sound design. The event will be taking place at Elsa-Braendstroem-Haus in Hamburg-Blankenese, Germany. Additionally, Randy Thom will be presenting a separate Master Class July 8th through 10th focusing on sound design.
A flat-rate ticket for the full event (excluding Mr. Thom’s master class) are 1.800 €, the “Forums” only ticket is 150 €, and tickets for Randy Thom’s master class are 4.000 €.
For more information, visit the Media Sound Hamburg website.
Oh The Variables
When you consider the variables in play when dealing with audio, it amazes me that we’re able to create anything that sounds even half-decent to someone else.
- How the authorship software processes audio
- Digital-to-analog conversion quality
- Unbalanced monitors / headphones
- The acoustic space
- Monitor placement
- Mix position
- Your ears
- Your brain
In a recent video, some members of the Killer Instinct sound team, including Zachary Quarles, Adam Isgreen, Mick Gordon, Chase Ashbaker, and Jeff Dombkowski, discuss some of the unique approaches and techniques they used in creating the sounds for some of the new characters featured in the second season of the game, including how they created fire effects, scarab attacks, and raptor vocals.
And if that’s not enough enticement, you also get to hear Mick Gordon throat-sing!
Nick Cave (L) and Warren Ellis (R)
Warren Ellis is unstoppable. The busy Australian is a member of – at least – three different bands: The Bad Seeds, Grinderman and Dirty Three. He plays violin, piano, bouzouki, guitar, flute, mandolin, viola and, yes, probably even more. He is pretty much constantly touring the world, making records or creating soundtracks. Anyone who’s experienced him onstage with Nick Cave knows his powerful presence and amazing musicianship – he’s been a member of Nick Cave and the Bad Seeds since 1994.
Together with Nick Cave he’s scored several films, among these The Proposition (2005), The Assassination of Jesse James by the Coward Robert Ford (2007), The Road (2009) and just recently they did the score for the French drama Loin des Hommes – Far From Men is the UK title – which is based on the Albert Camus short story and set in Algeria in the years leading up to independence.
This month’s theme here at Designing Sound is Destruction and Ellis is someone who’s not afraid of gritty, noisy, textured, explosive, destructive sound – his approach to sound is often to use accidents in creative ways. Here he talks about his methods and inspirations – and why he loves cinema:
Image hot-linked from the documentary’s website. Click on it to visit.
[ed. This article was originally intended to as part of our focus on women in March, but was delayed for a few reasons, but a good article is still a good article…enjoy!]
Guest Contribution by April Tucker
Thanks to everyone who took the time to comment, share, and reach out about my recent contribution, “Women in Audio: Yes, We Exist!” I was floored by the response, and hope we can continue an open dialog about what we can do to accept anyone who wants to work in our field.
Originally, I wasn’t going to write about being a woman in the industry, and I submitted the article below (which we decided to still share this month). While gender equality is a challenge, we all face challenges in our careers. Those challenges don’t just come from what we look like, where we live (or don’t live), age, race, or gender. In fact, sometimes those traits can be an advantage: Being unique or offering a different perspective can be a huge aid in creativity.