David Sonnenschein, the author of Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema and founder of SoundDesignForPros.com, has a new project. 3 Deaf Mice is an…
Skip Lievsay needs almost no introduction: He is one of the most distinguished and prolific sound editors in the movie business. His many collaborations with The Coen Brothers,…
March was kind of a banner month for us wasn’t it?! There was a lot of enthusiasm about exploring the intersection of sound design and music. So please…
Skip Lievsay needs almost no introduction: He is one of the most distinguished and prolific sound editors in the movie business. His many collaborations with The Coen Brothers,…
Guest Contribution by Carlos Alberto Manrique Clavijo “The vocation of the sound film is to redeem us from the chaos of shapeless noise by accepting it as expression,…
Guest Contribution by Brendan Hogan Making music from a single household item is hardly an original idea at this point, but if you’re a sound designer or an…
About a year ago I watched ‘An Island’, a documentary film by Vincent Moon on the Danish band Efterklang. The whole soundtrack of the movie is extremely musical…
Guest Contribution by Ali Lacey When someone mentions a Toy Piano, the last things you would think are 50Hz Booms, sub drops, eerie textures, bows and big percussive…
Guest Contribution by Doron Reizes Traditionally, the concepts of music composition and sound design have been viewed as distinctly separate creative audio disciplines. Karen Collins points out in…
Guest contribution by Martin Stig Andersen The following is extracted from the author’s article “Electroacoustic Sound and Audiovisual Structure in Film” (supervised by Denis Smalley) originally published by…
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