Skip Lievsay needs almost no introduction: He is one of the most distinguished and prolific sound editors in the movie business. His many collaborations with The Coen Brothers,…
Guest contribution by By Douglas Murray OK, here is the ugly truth for film post, or really any surround sound work… Most reverb plug-ins do not sound natural…
When building the space that sounds occupy, it may sometimes seem like overkill to load up those DSP hungry (though wonderful) reverb plug-ins. They can be a pretty…
Ben Allen has written up a fantastically detailed and informative post on Logic Pro for Film & TV Mixing. I personally use Logic Pro all the time and take great…
The issues of loudness and dynamic range are common across all audio/visual media, but recently this conversation has been gaining traction within the game audio community. Following his…
For quite a few years, sound design for trailers has become increasingly creative and interesting. For blockbusters in Hollywood, an imaginative trailer campaign seems to be more and…
For someone who considers themselves the ultimate Batman fanatic (I freely admit, I’m a bit of nerd when it comes to this), just the opportunity to meet Christopher…
The SoundWorks Collection is pleased to feature an exclusive behind-the-scenes feature about the sound and music of La Source. Narrated by Oscar nominated actor Don Cheadle, Directed and…
Whether you knew about the “Mixing for Web” panel we hosted and missed it, or it escaped your notice…we’ve got you covered. A recording of the discussion is…
We’ve got a new Film Sound Discussion Group lined up for you. I thought it was time we started having some in-depth discussions centered around the growing omnipresence…
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