![Kinokophonography Poster [Web RGB 72 DPI]](http://designingsound.org/wp-content/uploads/2013/11/Kinokophonography-Poster-Web-RGB-72-DPI.png)
Kinokophone is an art collective with sound at it’s heart, producing interesting and unique sound installations and listening experiences. Both Amanda Belantara and Jon Tipler were kind enough…
Gordon Hempton is one of the world’s foremost nature sound recordists. He’s won an Emmy, been the subject of a documentary, is an activist for acoustic ecology, and…in…
I recently had the chance to chat with Jad Abumrad, creator and co-host of WNYC’s Radiolab. Each episode of Radiolab explores ideas in science, technology, and the universe at large…
Sound is the most invisible part of the film. That’s probably why it’s quite rare for the sound of a movie to be mentioned in the press. But…
Better late than never. Last month’s theme at Designing Sound was Acoustics but one person we really wanted to include during July had to get moved slightly –…
Guest Contribution by Abigail Sie The Great Gatsby was an unusually long sound post-production process. How long did the sound mix take? Just under three months, it was…
I caught up with Looper’s composer Nathan Johnson to talk about the dynamics between his sound-based score, the sound design of the film and between himself and director…
I contacted Jeremy Peirson, the sound designer for Looper (2012), to talk about his role in the best received time travel movie in a very long time. What…
We’re getting very close to the end of 2012 and there’s been lots of brilliant sonic experiences in the cinema throughout the year. One that really stood out,…
This is an interview with our guest poster for November – Ariel Gross, Audio Director of game development studio Volition Inc, which produces such PC and console titles as…
Designing Sound
