I recently had a chance to sit down with sound designer and sound FX recordist Charles Maynes and chat about his new “LA Underground” sound library, available from…
Guest Contribution by Leonard Paul You’ve worked a lot with animals as a sound engineer, could you give a brief history of how your initial interest in audio…
We don’t often blow our own trumpet here at Designing Sound. Rather, we prefer to focus on the array of creative and technical excellence out there in the…
In over 30 years working in sound, Foley artist John Roesch has amassed an impressive list of credits, including major films like “Inception” and “The Matrix” and games like…
![Kinokophonography Poster [Web RGB 72 DPI]](http://designingsound.org/wp-content/uploads/2013/11/Kinokophonography-Poster-Web-RGB-72-DPI.png)
Kinokophone is an art collective with sound at it’s heart, producing interesting and unique sound installations and listening experiences. Both Amanda Belantara and Jon Tipler were kind enough…
Gordon Hempton is one of the world’s foremost nature sound recordists. He’s won an Emmy, been the subject of a documentary, is an activist for acoustic ecology, and…in…
I recently had the chance to chat with Jad Abumrad, creator and co-host of WNYC’s Radiolab. Each episode of Radiolab explores ideas in science, technology, and the universe at large…
Sound is the most invisible part of the film. That’s probably why it’s quite rare for the sound of a movie to be mentioned in the press. But…
Better late than never. Last month’s theme at Designing Sound was Acoustics but one person we really wanted to include during July had to get moved slightly –…
Guest Contribution by Abigail Sie The Great Gatsby was an unusually long sound post-production process. How long did the sound mix take? Just under three months, it was…
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