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Posted by on Dec 5, 2012 | 76 comments

Triumph – Review (and giveaway!)

[The kind folks at Audiofile Engineering have put together a giveaway of apps - including Triumph. Scroll to the bottom of the page to find out how you can be one of the three lucky people to win!]

OS X has suffered from the lack of a good and dedicated audio editor. There was a lot of hope pegged on the release of Sound Forge Pro Mac, but we all know how that went. There are a few alternatives though – Amadeus Pro ($59.99), TwistedWave ($79.90),  Adobe Audition ($349) and Triumph ($79.99).

Triumph, by Audiofile Engineering, is version 2.0 of Wave Editor. While it does retain majority of the functionality from Wave Editor, it has also been rewritten ground up to take full advantage of the latest features in OS X – Auto Save, gestural input and support for retina displays, to name a few.

Before I dig into the details, here are some of the new features:

  • AppleScript Support: AppleScript (Apple’s easy to learn scripting language) has been deeply integrated into Triumph. Most of tools, actions and processes are AppleScripts, which makes it easy to create custom templates and automate processes
  • Auto Save & Versions: Triumph supports Auto Save and Versions in 10.7 (Lion) and 10.8 (Snow Leopard). I’m not a fan of these new features in OS X and thankfully they can be turned off from the Preference menu in Triumph
  • Effects Groups: Probably one of the most useful features – to save a chain of effects as a group
  • Effects Automation: Useful for expressive and detailed sound design
  • Hardware Output & Channel Mapping: Configurable channel mapping – both at the project and hardware level.
  • Redesigned Meters: Don’t we all need gorgeous looking oversampling meters?
  • Scrubbing: For intricate editing
  • Notification Center (for OS X 10.8 – Mountain Lion): I’m still a Lion user and haven’t been able to experience the new Notification Center. It allows “you to be unobtrusively notified when operations complete”

First Impressions:

Installing and registering Triumph was a breeze. The first thing that impressed me was how quickly it opened up – almost instantaneous. On creating a new project I was greeted with a gorgeous and well designed interface. It took a bit of clicking around and reading the user guide (which unfortunately isn’t as extensive as it should be) to get some understanding of what Triumph is capable of. I’ve used Wave Editor only once (about a year ago), so I was quite new to the workflow. If you are a Wave Editor user, you might find it easier to get started right away.

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Posted by on Oct 11, 2011 | 0 comments

Crash Course In Location Sound, Special 2 Hour Webinar with Ric Viers

Crash Course In Location Sound is a two hour live webinar that will give you an overview of location sound for film and television taught by Ric Viers, author of The Sound Effects Bible. This is your opportunity to learn the tricks of the trade as well as insider secrets to lav placement, booming techniques, plant mics and more. There will be a Q&A session, so bring your questions!

Registration is only $29.99 per person with limited seating.

Sign up for Tuesday, October 25, 2011 at 9am PST
Sign up for Tuesday, October 25, 2011 at 6pm PST

One attendee will win a FREE Microphone Kit from Rode Microphones (valued at $1,200*) that includes:

  • (1) NTG-3 Shotgun Microphone
  • (1) Blimp
  • (1) Boom Pole
  • (1) Boom Pole Bag

More info at The Sound Effects Bible

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