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Posted by on Jul 10, 2015 | 0 comments

News: Tonebenders Ep. 36 – Marriage Equality Parade Recording

In a recent, abbreviated episode of the Tonebenders Podcast, Rene Coronado had the opportunity to capture some celebratory crowd sounds following the Supreme Court decision on marriage equality. In the episode, he discusses his recording approach, along with some unexpected inclement weather. Check it out here. Also, Rene generously made the raw recordings available for use, but they won’t be up for long, so grab them while you can!

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Posted by on Dec 20, 2013 | 1 comment

Review: Twisted Tools METAMORPH

Metamorph Logo

METAMORPH is the latest sample library from Twisted Tools, makers of the designed sample libraries as well as some fun and unique Reaktor ensembles. With sounds designed by BJM Mario Bajardi and Komplex (Iter-Research), METAMORPH “takes heavily processed violins, pianos and acoustic instruments and morphs them into impacts, sci-fi atmospheres, user interface elements and beyond.”

METAMORPH comes as stereo 24-bit, 96kHz BWAV files with full SoundMiner metadata for easy searching. It includes sampler kits for Ableton Live 9’s Sampler and Simpler, Logic 9’s EXS24, and Native Instruments’ Kontakt, Battery, and Maschine; Also induced is the MP16d, Twisted Tools’ sample player. METAMORPH contains just over 2 GB of samples broken down into 10 categories: Drums, Imaging Elements, Micro, Noises, Pass By, Sci-Fi Atmos, SFX, Textures, Tonal, and Composite. The “Micro” category includes User Interface and “Microbot” elements. There’s a good selection of sounds to be had, and the added metadata makes finding things fairly easy.

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Posted by on Oct 29, 2013 | 13 comments

Considerations for Creative Field Recording

Richard Gould 02On developing your ear…

I purchased my first field recorder in 2010. Ever since it’s become a vital tool in my sound design process. As a result, I now hear the world in a completely different context. I hear a palette of colors, textures, and techniques with which I can capture many weird and wonderful things. Sometimes I record for the sheer joy of it, out of appreciation for the sound itself. On other occasions I might have a purpose, whether for a project or to add something new to my library.

The act of field recording has taught me to appreciate the difference between ‘hearing’ (a subconscious process) and ‘listening’ (a conscious process). Julian Treasure (The Sound Agency, London) has given several great TED talks, webinars, and presentations on the subject of conscious listening. I’ve found his commentary to be inspired and completely relevant to my process as a sound designer and field recordist.

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