In a recent blog post over at Boom Box Post, company co-owner Kate Finan discusses here recent experiments — and successes — in using contact microphones for underwater recording. It’s a great examination of some of the alternatives available for the (sometimes expensive) commercially available hydrophones on the market.
METAMORPH is the latest sample library from Twisted Tools, makers of the designed sample libraries as well as some fun and unique Reaktor ensembles. With sounds designed by BJM Mario Bajardi and Komplex (Iter-Research), METAMORPH “takes heavily processed violins, pianos and acoustic instruments and morphs them into impacts, sci-fi atmospheres, user interface elements and beyond.”
METAMORPH comes as stereo 24-bit, 96kHz BWAV files with full SoundMiner metadata for easy searching. It includes sampler kits for Ableton Live 9′s Sampler and Simpler, Logic 9’s EXS24, and Native Instruments’ Kontakt, Battery, and Maschine; Also induced is the MP16d, Twisted Tools’ sample player. METAMORPH contains just over 2 GB of samples broken down into 10 categories: Drums, Imaging Elements, Micro, Noises, Pass By, Sci-Fi Atmos, SFX, Textures, Tonal, and Composite. The “Micro” category includes User Interface and “Microbot” elements. There’s a good selection of sounds to be had, and the added metadata makes finding things fairly easy.
On developing your ear…
I purchased my first field recorder in 2010. Ever since it’s become a vital tool in my sound design process. As a result, I now hear the world in a completely different context. I hear a palette of colors, textures, and techniques with which I can capture many weird and wonderful things. Sometimes I record for the sheer joy of it, out of appreciation for the sound itself. On other occasions I might have a purpose, whether for a project or to add something new to my library.
The act of field recording has taught me to appreciate the difference between ‘hearing’ (a subconscious process) and ‘listening’ (a conscious process). Julian Treasure (The Sound Agency, London) has given several great TED talks, webinars, and presentations on the subject of conscious listening. I’ve found his commentary to be inspired and completely relevant to my process as a sound designer and field recordist.
An interesting examination of the origins of ‘delay’ as an effect, and the technologies that led us to where we are today. From Groove3′s Youtube Channel.
Symbolic Sound has published on their blog called “the eight nerve”, an interview with sound designer Sylvain Lasseur talking about his use of Kyma system and several aspects about his work.
Sound designer Sylvain Lasseur is not just bi-coastal; he’s bi-contintental, working part time in Paris and part time in Los Angeles! We recently had a chance to ask him a few questions about how he uses Kyma for 5.1 sound design and to explore some of the differences between post production work in Paris and Los Angeles. By the end of the interview, the discussion turns to food, wine, and the Marx Brothers. Read on!