In a new sound profile video (and on a new website!) SoundWorks Collection speaks with Supervising Sound Editor and Sound Designer Christopher Boyes of Skywalker Sound about his work on Avengers: Age of Ultron. Check out SoundWorks's new look, and this fantastic video, here. … [Read more...]
Creative Field Recording: “Visual Microphones” Create Missing Audio
In his newest blog post, Paul Virostek of Creative Field Recording examines an interesting question: If we're able to recolorize black and white films, can we do the same with audio? The article discusses unique techniques and tools like visual microphones, which transcend regular audio restoration and offer the possibility of creating audio that would have been present in the … [Read more...]
Modern Editing Style on Aotg.com
We here at Designing Sound know that any creative endeavor is about more than just the audio. In order for any piece of media to be successful, it needs a unified creative direction, and the support of numerous skilled people in many different disciplines. In the interest of learning more about other disciplines that run parallel to audio in media, we're teaming up with … [Read more...]
Film Sound Tips by Glenn Kiser, Director of the Dolby Institute
Indiewire has published a guest post by Dolby Institute's director Glenn Kiser in which he talks to filmmakers about the importance of sound design from the beginning of production. Making a movie is a never-ending series of compromises, and nothing is as good as the original concept you had in mind. But if you're really lucky, there's a moment of alchemy that can happen in … [Read more...]
The Dialog Re-Assign Workflow
My first exposure to noise reduction processing was with Waves X-Noise, working clip-by-clip, finding a snippet of noise in the clear, setting the noise profile, then processing the clip before moving to the next one. This offline processing method, while effective, would end up taking a lot of time, especially on long-form projects. Similarly, if you had a processed clip that … [Read more...]
Tunes and Tones: A Writer/Director’s Perspective on Sound
Guest Contribution by Pierce O'Toole Writer/Director Pierce O'Toole shares his thoughts on music and sound design, and how they play into his creative process. As a writer and director, my biggest concern on any project is the story. Every project has a story that you are trying to tell. When I approach sound, the lens I view it through - or the speaker I hear it through, I … [Read more...]
Nathan Johnson on creating a sound-based score for Looper
I caught up with Looper's composer Nathan Johnson to talk about the dynamics between his sound-based score, the sound design of the film and between himself and director Rian Johnson. What follows is part of the transcription of our Skype conversation. Can you talk about the dynamics between your sound-intensive soundtrack and the sound design of the film? For any movie, I … [Read more...]