“The Crazies” – Interview With Jeremy Peirson and Laurent Kossayan
There is a new interesting interview at Filmsound Daily on the sound of "The Crazies" with supervising sound editors Jeremy Peirson and Laurent Kossayan. Let's read: In an interview with Colider.com, Director Breck Eisner explained, "The town is pretty much a character in the film at the beginning and then as ... read more.
Erik Aadahl Special: Conceptual Beginnings
Our job as sound designers is to be storytellers. Instead of words or pictures, we tell the story with sound. And it all starts with the script. Sometimes I'll get a script in advance of a job, sometimes not. Ideally, the screenwriter has worked sound into the very fabric of ... read more.
The Sound of “Alice in Wonderland”
Last friday I watched "Alice in Wonderland". Personally I like the way Tim Burton focused this "version" of Alice. A lot of detail, really beautiful art and a fantastic new adventure, with all kind of places and creatures in a great 3D experience. The sound was also great. The sound ... read more.
All About the Sound of “The Hurt Locker”
As you may already know, Paul N.J. Ottosson has won the academy award for Best Sound Editing and Best Sound Mixing with Ray Beckett. Need to know why "The Hurt Locker" wins the two prizes? Here are some links to the posts previously published, all with info about the sound of ... read more.
Paul Ottosson Talks About Working on “The Hurt Locker”
More "The Hurt Locker", this time a really cool video from "Making Of" with Paul Ottosson talking about the sound editing and mixing of this great film. read more.
Erik Aadahl Special: Exclusive Interview
Let's get started with the Erik Aadahl Special. Here is a Designing Sound's exclusive interview with Erik talking about some aspects of his career, personal thoughts, his main tools, and more. Designing Sound: To start please give us an introduction about your career and how you get involved with sound design Erik ... read more.
Tim Prebble on the Sound Design of “Boy”
Sound designer Tim Prebble has published on his blog some interesting notes and sound recording examples of his work on "Boy", a Taika Waititis film that opens in New Zealand cinemas on March 24th. Tim worked on the sound design during October and November, and also on the mix in December ... read more.
Paul Ottosson on “The Hurt Locker”; An Interview with Oscar Nominee for Sound Editing and Mixing
Mix Magazine published a new interesting interview with sound designer Paul N.J Ottosson, Academy Award Nominee for Sound Editing and Sound Mixing for his amazing work on "The Hurt Locker". Did you do much original effects recording? A fair amount. I also had a lot of my own library material that I’d ... read more.
Interviews with Cinema Audio Society Award Winners, Including Career Achievement Honoree to Randy Thom
SoundWorks Collection has released more than 10 videos featuring interviews and exclusive content from the Cinema Audio Society Awards, including Career Achievement Honoree to Randy Thom. The Cinema Audio Society consists of Sound Mixers and Associates from the Film and Television Industries. The Society was founded to create a proper channel ... read more.
How to Judge the Best Sound Editing Oscar
As the Academy Awards approach, Skip Lievsay expalins at Slate V what goes into great sound editing. Via: FilmSound Daily read more.
