In a recent entry in their interview series, SoundWorks Collection speaks to Mark Ulano, production sound mixer for Quentin Tarantino’s upcoming film, The Hateful Eight. Take a listen and hear stories that could only originate from a Tarantino shoot, told by one of the best productiou sound mixers in the business.
This article was born out of an idea for a GDC audio talk proposal. Another one of my proposals was selected so I thought I’d turn the core idea of this one into a DS post in case it’s of use to the community.
used under creative commons, click for source
Do you use macros in your music/sound production? If the answer is yes, then this article isn’t for you. Given January’s theme is all about time management, I feel duty-bound to say you should make better use of your time and read one of the many other fantastic articles here on this site. If however, any of the following apply, read on!
- “I don’t know what a macro is”
- “Macros are just shortcuts right, like CMD C to copy?”
- “Macros are only used by programmers.”
An S-Bahn Class 480 train coming to a stop. Photo Credits: http://hampage.hu/
Guest Post by Beau Anthony Jimenez
In the film and sound world, Walter Murch is a man that needs no introduction.
But for the few who need a brief idea of this Renaissance man: Walter Murch is a pioneer of the film-sound world. His way of thinking about sound for film has been revered for decades. His body of work is legendary, both as a sound editor and picture editor.
As one studies his work, you may find that Murch utilizes the sound of trains in moments where he wants the audience to reside in the character’s perspective. These moments are essentially a sound designer’s playground, capable of delving into non-diegetic sound design and an abstract mix.
Guest Contribution by April Tucker
Meet Yuki, one of my cats. She’s a tiny, feisty 6-year-old tabby. Earlier this year, we learned that Yuki had gone deaf after having normal hearing most of her life. She probably lost her hearing gradually, but it wasn’t obvious until one day when I was vacuuming and realized she was right by me, happily curled up and sound asleep.
There’s a learning curve to owning a deaf pet – especially a cat that’s already stubborn and sleeps in places you can’t find. Deaf pets get extremely startled if you touch them when they don’t perceive you first (through vibration, sight, or smell). Words that they responded to before (like “dinner” or “no”) suddenly have no meaning. Yuki became cautious, spending a lot of time just trying to gauge her surroundings (like the other cats who were unaware of her condition).
We as a community are lucky to have a number of amazingly informative resources available to us, and podcasts count among the most popular. Well, add a new one to your listening list: the Dolby Institute, in conjunction with SoundWorks Collection, is presenting a limited number of podcasts in a series entitled “Conversations with Sound Artists”. For the first episode, released a few days ago, they speak to Randy Thom of Skywalker Sound. Read more info on the podcast on SoundWorks Collection’s page.