Once again our friends at the Tonebenders podcast have delivered a great episode! This month, they spoke to Mad Mad Fury Road vehicle recordist Oliver Machin about his work on the movie. Head to their site to take a listen, or catch them on iTunes and Stitcher.
image by wgbieber, click limage to view source
Guest Post by Kate Finan
The studio owner skimmed my resume and nodded several times. He glanced up at me, back down at the resume, and then carefully set it back on his desk.
“Your credentials are great. The chair of the Sound Recording Department recommended you very highly, and we have a close relationship with him. So, we will hire you… We will hire you, but you won’t last. We will make sure of that.”
He paused, and I waited for an explanation.
“We don’t hire women. Studio policy,” he stated matter-of-factly.
In a recent blog post over at Boom Box Post, company co-owner Kate Finan discusses here recent experiments — and successes — in using contact microphones for underwater recording. It’s a great examination of some of the alternatives available for the (sometimes expensive) commercially available hydrophones on the market.
As part of our continuing goal of promoting greater cross-discipline learning with media editing site Art of the Guillotine (Aotg.com), we’d like to bring your attention to their recent article Audio Levels and Metering: Pt. 1. While the article is largely focused at educating editors on good level and metering practices in non-linear editors, there’s some valuable information in the article, and it’s a great refresher on metering approaches even if you’re well versed on the subject. It also features a great side-by-side comparison video of four common meter types. Check it out here!
In a recent post on the blog over at A Sound Effect, Asbjoern Andersen interviews long-time animation sound pro Jeff Shiffman of Boom Box Post. They discuss Jeff’s workflow and approach to sound design, as well as the specific challenges and successes he had working on numerous animated shows. Take a look at the interview here.