Categories Menu

Recent articles

Designing Silence

Posted by on Jun 28, 2014 | 1 comment

city-lights-1931-charlie-chaplin-silent-movie-review-image-23

Charlie Chaplin on ‘City Lights’

“Ideally, for me,  the perfect sound film has zero tracks. You try to get the audience to a point, somehow, where they can imagine the sound. They hear the sound in their minds, and it really isn’t on the track at all. That’s the ideal sound, the one that exists totally in the mind, because it’s the most intimate. It deals with each person’s experience, and it’s obviously of the highest fidelity imaginable, because it’s not being translated through any kind of medium.” – Walter Murch

Silence can be sonic; sound can be silent. We’re always listening to both. When we listen to a sound, we listen to a silence. When we listen to silence, we listen to sound. The dualism behind this is just an illusion, because in reality, we only find one thing, a single coin, with two faces, but a single coin.

There’s always sound in silence, always. There’s no such thing as sound without silence. There’s no such thing as silence without sound. Both are always dependent on each other and get differentiated just because of our fantasy of reality. We could think as silence as “absence of sound” but that will not be in an absolute way because there’s no place without sound, there’s no time without sound. Silence is absence just in partial ways, depending on the wave, all the time attached to the context the absence of a particular sounds, or just the choices around the speakers can’t reproduce. (more…)

Listen Up, Tony (Awards)!: Petitioning for Reinstatement

Posted by on Jun 28, 2014 | 0 comments

First, some confessions: I am a sound designer, I have never worked on a Broadway production, and therefore, never expected to win a Tony Award (let alone be a part of a discussion of this nature).

I may not be an “insider” of the theatre world, but the decision earlier this month to stop presenting Tony Awards for sound design (of a play and also of a musical) deems a reaction from the entire sound design community. With that in mind, please support this petition initiated by John Gromada.

Link to sign the petition: Reinstate the Tony Award Categories for Sound Design Now!.

Actress Jill Winternitz showing her support on twitter.

Actress Jill Winternitz showing her support on twitter.

The first time I heard of the decision by the Tony Administration Committee was from Randy Thom’s post in Designing Sound on the 13th (two days after the announcement). The news initially confused me; it seemed like a huge “slap in the face” (as Randy Thom wrote) with very little that could possibly be gained by this action. Sure, sound design is not as glamorous as some categories, but there must be more to this decision.

(more…)

SFX Independence Submission Form

Posted by on Jun 25, 2014 | 0 comments

2951368555_366bdd30e6_o

Photo by gynti_46

It is very difficult to keep up with all the new independent sound library releases, which is why we regularly put together roundup posts.  Unfortunately it is difficult for even us to keep track of them all! We are all volunteers doing this in between work after all.

To make sure no libraries slip through the cracks; we have added a submission form for sound effect library producers to submit their products to us so that we will make sure to be as accurate and fair with our roundup posts of new library releases. You can get to the form here or find a link on our Contact page.

We ask everyone keep in mind that submission does not guarantee that we will post your library if it has already been covered, inappropriate for the roundup or some other extenuating circumstance. Please don’t abuse the form!

We do apologize for anyone whose libraries we have not covered recently, this form should fix that!

 http://designingsound.org/contact/sfx-independence-submission/

Should It Make A Sound?

Posted by on Jun 24, 2014 | 2 comments

allefex2

Allefex

 

Guest Contribution by Rob Bridgett

For the past 14 years I’ve been a proponent of sound as a deeply integral part of the video game development process, getting audio involved earlier, allowing it to become a part of decision making and concepting, allowing sound’s early presence, excitement and enthusiasm to influence the other disciplines involved in the collaborative sport of video game development.

Recently, you may have noticed a trend towards narrowing down the focus of what we consider to be multi-disciplinary game development, there are small team, minimal, retro, and almost inevitably towards audio-only games. At the Game Developer’s Conference Nicky Birch of Somethin’ Else’s spoke about their audio-only games (such as Papa Sangre) as did Brian Schmidt on a similar theme in 2013). These are games in which the player has little or no visual input or stimulus, but relies entirely on spatialized audio cues. (more…)

Silence is the Sound of Listening

Posted by on Jun 23, 2014 | 2 comments

murray

R. Murray Schafer at “listen” short film

“One can look at seeing but one can’t hear hearing” – Marcel Duchamp

As you may know, silence is the topic chosen for this month here at Designing Sound. One may think silence is not existent if we value it as an absolute sonic absence, but here I’m going to examine its role and possibility towards the act of listening to sound, silencing, not as that state of complete sonic deletion but as a force able of letting sound to be. Here’s not about asking “what is silence?” but just creating an invitation to be silent and just listen. (more…)

SFX Independence – June 2014

Posted by on Jun 19, 2014 | 1 comment

A quick round-up of recent releases from independent sound designers …

Sonic Salute – Rock & Roll

First up this month we come bearing gifts – an exclusive 20% off coupon for the latest Sonic Salute library pack.

ROCK & ROLL: Rock/Concrete/Metal Impacts and Dirt Debris contains over 300 LCR recordings of rolling rocks, rock and concrete impacts, dirt, debris, you name it. Basically, all the rock, with a lot of extra roll. All files are 24-bit / 192KHz and the product page has some cool info and video footage of the backstory of this collection.

Designing Sound have teamed up with Sonic Salute to give our readers 20% of this collection. Using the coupon code: ROCKTOTHEROLL20 on checkout will give you 20% off the usual $45.00 price, valid for 48 hours from the publication of this here post.

Rock & Roll product page
Sonic Salute homepage

(more…)

AudioGaming : Competition

Posted by on Jun 18, 2014 | 14 comments

5year anniversary

AudioGaming is about to celebrate five years of developing procedural audio plugin magic and would like to offer two DS readers a post-production bundle each — for free — through a simple competition.

Here’s what you need to do:

  1. Help them find a quote for the procedural audio plugin bundle
  2. A quote that could go on a box like the one below
  3. The quote needs to be ten words or less
  4. One entry per person, email your quote to contest[at]audiogaming[dot]net

Example: “Sculpt your audio in real-time”

The folks at AudioGaming will then choose two of the best quotes. This competition closes on 14 July 2014 at 00:00 GMT. Good luck!

bundle_box

Review: Glitchmachines – Quadrant

Posted by on Jun 15, 2014 | 0 comments

GM_QUADRANT_WS1

A few months ago Glitchmachines released Quadrant a “modular sound generator and effects processing plugin geared toward experimental sound design and electronic music production.” Quadrant also ” includes a Eurorack modular synthesizer sample library comprised of over 1500 samples.”. For $49 this sfx processor + library gives you a lot of content to learn and play with.

(more…)

xeno-canto : Sharing bird sounds from around the world

Posted by on Jun 13, 2014 | 0 comments

This looks like it could be a great resource for sound designers too :

xeno-canto is a website dedicated to sharing bird sounds from all over the world. Whether you are a research scientist, a birder, or simply curious about a sound that you heard out your kitchen window, we invite you to listen, download, and explore the bird sound recordings in the collection.

But xeno-canto is more than just a collection of recordings. It is also a collaborative project. We invite you to share your own bird recordings, help identify mystery recordings, or share your expertise in the forums.