Kinokophone is an art collective with sound at it’s heart, producing interesting and unique sound installations and listening experiences.
Both Amanda Belantara and Jon Tipler were kind enough to spare some time to talk about their work currently taking place on both sides of the Atlantic. Read More
Guest Contribution by Rob Warren.
One of the most important aspects of audio production is the workflow.
No matter which DAW you use, workflow is critical to creating smooth and fast production. Setting up and accessing pre-made templates is easily one of the most effective ways to save time and effort, which in business, is money.
Workflow can be described as the fastest, most fluid means of getting from point A to point B. I have several different types of workflow that I use when I’m working, and I use different DAWs, depending on the job at hand. For example, if I’m composing music, I typically use Logic Pro, and I have probably 30 or so pre-designed templates based on what type of music I’ll be writing (orchestral, rock, electronic etc). The tracks within the templates are generally organized by instrument or instrument types, and then placed in Track Stacks (Logic’s term for bus groups). These group tracks act as busses, so any effects are added to the group and used as needed. I also have a “near” and “far” reverb on separate aux busses, to use for giving a distinct sense of depth to various instruments, which helps to “position” them into a simulated live orchestral setting, or just to create a choice of “space” for any production (see fig. 1). Read More
A winner has been chosen for the “Win a Copy of Blastwave FX “Heroes & Villains” contest we put up about a week ago!
We want to thank everyone who participated in the contest. Ric says it was a really tough one to call!
Earlier this year, I wrote a review of the Hybrid Library from Pro Sound Effects. They took notice of some of the idiosyncrasies that I pointed out, and also spoke to the current owners to figure out how they could make the library better. They’ve dotted their i’s and crossed their t’s, and are now placing the library up for sale again. Between now and December 31st, they’re selling another 100 units of what is, to be frank, an amazing deal for freelance sound designers ($1500 for over 60,000 high quality sound effects).
The metadata in the library has been completely re-worked to ensure more consistent search results, has additional sounds from the 2013 updates to the Blastwave FX and Foundation libraries, and is now coming on a custom branded hard drive. Additionally, there’s a new “expansion pack” for existing Hybrid Library owners. Over 10,000 new sounds for $500 on a USB flash drive. If you’re a current owner, Pro Sound Effects will be contacting you to let you know about what updates are available for your library.
If you’re looking for a highly flexible “general” library, this is definitely worth keeping an eye on. I’ll be taking a look at the new version of the library soon, and posting my thoughts on its updates sometime this month. So, if you want a little more information before you make your purchase, keep an eye out for that.
The 3rd Annual UK Music+Sound Awards is now accepting entries. MASA 2014 celebrates the role of music and sound design in the advertising, film, television and gaming industries….
Impulsonic has recently released a Unity Demo that highlights the advanced capabilities of their Acoustect SDK in a game environment. Though best known for its use in detailed…
A quick roundup of the independent sfx libraries to have hit our inbox this month. Blastwave FX – Heroes & Villains Blastwave FX have launched a competition…
The Open Acoustic Impulse Response (Open AIR) Library is an amazing resource for sound designers to share acoustical data, and most of the content on this site is…