Image by Mike Licht, used under Creative Commons license. Click image to view source.
At first glance, you may not think of this site as one where we would care about reactions to critical analysis of media. We care very much, in fact, and feel it is necessary to take a moment to discuss the recent reactions to the latest in Anita Sarkeesian’s “Tropes Vs. Women in Video Games” series.
I’m sure you’ve seen commentary about it on other sites already, but we feel that it is important to point out that we are a part of the community she is speaking to. She has seen a similar reaction every time she has released a video…the idiots come out of the woodwork to attack her. It has also seemed to escalate with each new round. Case in point:
Bryce Dion (image hot-linked from original article)
We are saddened to hear about the loss of Bryce Dion, a production mixer from Lawrence, Massachusetts. Bryce was killed by police gunfire while filming for the Television show “COPS.” Our thoughts go out to his family and friends. The full article detailing the events can be read here.
Mix Magazine, The MPSE and CAS have collaborated to put together a one day conference (September 6th, 2014) at Sony Studios in Culver City (Los Angeles, CA) exploring the Dolby Atmos and Auro 3D formats. Mix has been advertising this event for a while now, but details were fairly sparse. Things appear to have been locked down, and the schedule is now up on the event’s website. Take a look at the agenda to see who will speaking, or look at the schedule to see what will be available when. There’s a wealth of talent that will be talking about their experiences with the formats, including a keynote will presented by friend of the site Randy Thom.
If you were on the fence about the event, the new information will probably make the decision for you. The event is $79, though I know that MPSE members can register for free (you should have received an e-mail, I did). I believe the same holds true for CAS members. Hopefully, I’ll see some of you there!
Guest Contribution by Berrak Nil Boya
As a composer, musicologist and a sound designer who is making a transition to the world of game audio for the last year or so, not only do I have a new level of respect for everyone who works as a game audio professional but I also became aware of various changes I am going through almost daily to adapt my already established skill set and mentality to fit my new chosen profession. These changes affect different aspects of my auditory world to varying degrees, but listening and specifically critical listening ended up being a new kind of challenge for me. As a musician who is used to listening critically to music and its various properties, and as a musicologist who researched film music for years, the inherent interactivity and flow of the gaming experience required a new type of listening capability from me. One that depended on me to not just pay attention to the different aspects of the soundscape, but also to rise to the challenges that were presented to me by the game to succeed as a gamer. It meant orienting my attention to the other aspects of the game; so much so that, I forgot to listen for a while and instead just heard what the soundscape consisted of. So how would it be possible for me to play a game AND critically listen to its audio aspects at the same time?
In case you’ve been under a rock, and somehow haven’t noticed yet, Tim Prebble’s Hiss and a Roar sound effects label is having a birthday sale…and it’s BIG ONE! Through August 31st, you can get 50% off by using the discount code BOING at checkout. He’s also got a new library out too, SD020 Wind Instruments.
You’re still here reading?!