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Posted by on Jun 30, 2014 | 0 comments

4th International FilmSoundHamburg Summer Academy

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The fourth annual FilmSoundHamburg got under way in Hamburg on Sunday evening – an event that will bring together enthusiasts from the worlds of sound design, film composition and game music for five days of workshops and seminars and masterclasses.

Among the highlights will be four separate masterclasses given by Tim Nielsen of Skywalker Sound (Maleficient, Lord of the the Rings, John Carter), and composers Olivier Deriviére (Assassin’s Creed IV, Remember Me), Javier Navarrete (Pan’s Labyrinth, Mirrors, Hemmingway & Gellhorn) and Lisle Moore (who has composed trailer music for Maleficient and the last three FIFA World Cups). In addition, a number of workshops and seminars will also be taking place.

FilmSoundHamburg takes place from June 29th until July 4th in Hamburg, Germany. Some places are still available so check the website for the full programme and price list.

FilmSoundHamburg
FilmSoundHamburg programme of events
FilmSoundHamburg on Facebook

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Posted by on Jun 19, 2014 | 1 comment

SFX Independence – June 2014

A quick round-up of recent releases from independent sound designers …

Sonic Salute – Rock & Roll

First up this month we come bearing gifts – an exclusive 20% off coupon for the latest Sonic Salute library pack.

ROCK & ROLL: Rock/Concrete/Metal Impacts and Dirt Debris contains over 300 LCR recordings of rolling rocks, rock and concrete impacts, dirt, debris, you name it. Basically, all the rock, with a lot of extra roll. All files are 24-bit / 192KHz and the product page has some cool info and video footage of the backstory of this collection.

Designing Sound have teamed up with Sonic Salute to give our readers 20% of this collection. Using the coupon code: ROCKTOTHEROLL20 on checkout will give you 20% off the usual $45.00 price, valid for 48 hours from the publication of this here post.

Rock & Roll product page
Sonic Salute homepage

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Posted by on Jun 4, 2014 | 0 comments

The Secret World of Foley @ AFI Docs

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Hidden within the program of the 2014 AFI Docs festival is a short film that provides a glimpse inside the world of Foley recording, mixing and performance.

The Secret World of Foley follows artists Peter Burgis (Edge of Tomorrow, The Monuments Men, Kick-Ass 2) and Sue Harding (The Selfish Giant, Mandela: Long Walk To Freedom, Philomena) as they work their way through a challenging series of moves, walks, and other sync sounds. A deliberate ploy by writer/director Daniel Jewel was to not have any dialogue in the film, or wordy explanations of the Foley techniques involved. On the best way of showcasing the work and talents of Peter, Sue and sound designer Glen Gathard, Jewel says, “I thought we could create a specially shot short film and and then film the Foley Artists interpreting that film, with props of their choice and then cut between the two ‘films’. So without any words, we would get the sense of what Foley Artists do to bring films to life.”

The effect of this juxtaposition between the film and the Foley performance is quite mesmerising, and The Secret World of Foley will be screening on Thursday 19 June at the Goethe-Institut in Washington D.C. and Friday 20 June at the AFI Silver Theatre and Cultural Center in Maryland as part of the AFI Docs festival. Those not going will be able to catch it online later in the year, once it has completed its run of festivals.

The Secret World of Foley official website
2014 AFI Docs homepage
Third Man Films on Twitter

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Posted by on May 8, 2014 | 2 comments

SFX Independence – May 2014

It’s been a little while since the last SFX Independence. This month’s round-up runs the gamut of sounds, from guns and rockets, to birds and screams. Plus, there are some get-them-while-you-can offers still on. First up…

Boom Library – Birds of Prey

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With their latest release Boom Library continue their tradition of giving early-bird discounts (definitely no pun intended). They are offering a 20% discount on Birds of Prey up until May 10th of €119.20.

As an extra tidbit, check out this short interview with the sound designer Dennis Osternacher about recording in the wild.

www.boomlibrary.com

HISSandaROAR – Contact Mic Two

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HISSandaROAR released a new library this past week. Contact Mic Two is a whopping 12.5 GB of dual mono/stereo contact mic recordings, all recorded at 24-bit / 192KHz.

You can purchase either Contact Mic One or Contact Mic Two for a discount; $129 down from $198 for One, and $74 down from $99 for Two. This special offer ends midnight Friday 9 May though, so you’ve got to be quick.

Also worth checking out is the back story behind the latest release, as well as a beginner’s guide to contact mic recording, both courtesy of Tim Prebble’s The Music of Sound blog.

www.hissandaroar.com

Diego Stocco – FFS // Rhythmic Convolutions

Diego Stocco’s Feedforward Sound series has been a hit among professional and hobbyist sound design enthusiasts alike. The first tutorial, Rhythmic Processing, looked at generating rich rhythmic textures from one source recording with percussive transients. The second, Convolution Processing, shifted focus slightly toward creating and processing transients and accents that are musically in sync with a main rhythm track.

His latest offering is not a tutorial, but a collection of creatively recorded spaces. Rhythmic Convolutions takes impulse responses to another level, with a set of over 200 responses aimed designed for processing highly percussive sound elements.

At $29.99, this pack comes in a little pricier than the previous two, which is explained by the fact that these are impulse responses that once purchased can be integrated into any sound design workflow.

Audio files are 24-bit/48KHz.

EDIT: The standard price of $29.99 is specifically for the purchase of a music license single user. If your usage falls under any other category (or you’re not sure), you’re advised to check the product website and/or email ffs@diegostocco.com.

www.diegostocco.com

Rabbit Ears Audio – Rockets 2

Rockets 2 – Static Burns is the brand new library from Rabbit Ears Audio. Following on from Rockets 1, which pulled together a various rocket ignitions, launches and misfires, their new collection goes one step further.

Featuring an assortment of large-scale rocket motors, both dry propellant and commercially available, each motor was recorded from up to 8 perspectives at 24-bit / 192KHz.

Rockets 2 is currently priced at $79.00 (usual price $99.00) and, for a limited time, customers can pick up Rockets 1 and 2 for discounted price of $135.00 (usual price $169.00).

Visit the Rockets 2 product page for full details including licensing info.

Rabbit Ears Audio – Typewriters

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Another recent addition to the Rabbit Ears Audio library is Typewriters. Also priced at $70.00, this collection features seven different typewriters all recorded from 4 mono perspectives; close; distant; under keyboard (close) and; under type bars (close).

All files are recorded at 24-bit / 192KHz and are availble to purchase now via this link.

www.rabbitearsaudio.com

Watson Wu – FullAuto

FullAuto is a collection of two sound libraries (Part 1 and Part 2) from sound designer Watson Wu, featuring various recordings from full automatic rifles of different calibers. Recorded from a number of different perspectives, FullAuto also offers a range of shooting modes such as Singles, Bursts, Mag Dumps as well as gun foley sounds.

Each library is priced at $249.00 and is recorded at 24-bit / 96KHz.

http://www.watsonwu.com/store

Soundbits – Screams and Shouts

The final collection in this month’s round up is an impressive 873 screams, shouts, moans, grunts, hisses from humans, zombies, monsters and creatures from Saro Sahihi at Soundbits.

All recorded at 24-bit / 96KHz and priced at €40.00

Soundbits Store

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Posted by on Apr 2, 2014 | 0 comments

Mixing for Factual Formats – Interview with Bob Bronow

If you’ve ever wondered what it takes to put together a compelling soundtrack for factual television, Bob Bronow’s interview over at A Sound Effect makes worthy reading. The Emmy Award winning sound designer and re-recording mixer reflects on his workflow creating the sound for reality series The Deadliest Catch, and discusses the particular challenges of working within the factual genre.

Check out Bob’s interview here.

asoundeffect.com

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