The SAE Sounddesign contest has just been announced. Contestants will be asked to create the audio (foley, sound design, atmosphere, no music) for a short monster animation, and the first through third place winners will take home a share of over 5500€ worth of prizes from companies like Rode, Boom Library, iZotope, Avid, SoundBits, Sugar Bytes, Fluid Audio, and Presonus.
The contest is open to all, and will be judged by Thomas Johnson, Axel Rorbach and Saro Sahihi. Boom Library has also offered a few sounds from their high-quality construction kits for use in the contest (though their use is optional).
The SAE Institute offers education in a number of media production fields. Submissions for the SAE Sounddesign contest will be accepted until June 23rd, 2014. For more information, see the SAE website.
Quadrant is a new modular sound generator and effects processing plugin geared towards experimental sound design. It features a broad selection of modules, connectable through a graphical patching system, allowing for a very wide and customizable range of sounds and effects. The plugin can be used to generate textures, or as an effects processor, providing a number of different ways to create uniquely futuristic sounds.
It’s April, and you’d be a fool if you didn’t check out this past month’s freshly released sound libraries. From quiet forests, ocean sounds, and country ambience, to war-torn future soundscapes and the introduction of a new company to the sound design community, plus a BIG contest announcement, Designing Sound’s monthly round up has you covered.
No matter how deep your interest in animal husbandry may be, you’re probably never going to figure out what the spawn of a camel and a mollusk might sound like. Or will you? Interested sound designers still have a little more than a week left to enter the Hybrid Animal Sound Design Competition, where the creation from scratch of a brand new animal call could net a share of $6,000 worth of prizes from Pro Sound Effects, Avid, iZotope, Rode, and Ric Viers. The deadline for entries is Tuesday, April 8th. Check out the rules, restrictions, and other details over at the Pro Sound Effects Blog.