A Sound Effect have launched an online store with the ability to buy from several sound creators in one go – and it’s all covered by one single license agreement. In short, getting sounds from the independent sound community has never been easier.
And, there’s a Sale !
There are plenty of Black Friday / Cyber Monday sales for audio types, here’s a roundup via KVR:
Black Friday Sales !
And some here are some Sound Effect Library sales :
SoundWorks Collection speaks with Supervising Sound Editor and Sound Designer Richard King about the sound teams extensive work on Director Christopher Nolan’s immersive sci-fi film Interstellar.
The School of Sound has announced part of the lineup for the 2015 edition of the International Symposium. A unique series of masterclasses exploring the art of sound in film, the arts and media. We explore what sound does, how audiences listen.
Wednesday – Saturday
8-11 April 2015
Purcell Room, Southbank Centre
Choreographer SIOBHAN DAVIES in conversation with composer/performer MATTEO FARGION
Opera and theatre director PETER SELLARS
Sound artist and Foley specialist NICOLAS BECKER
Artist, filmmaker and writer JOHN AKOMFRAH
Installation artist IMOGEN STIDWORTHY
Radio producer PIERS PLOWRIGHT
Performance artist DICKIE BEAU
Sound/music composer GERHARD ECKEL
Filmmaker and composer NADIM MISHLAWI
Sound designer RANA EID
Interactive games sound designers MARTIN STIG ANDERSEN, JOANNA ORLAND with composer, audio director and consultant JOHN BROOMHALL
and yoiker ÁNDE SOMBY …
with more participants to be announced in the coming weeks.
Diego Stocco returns with the third in his video series of advanced & experimental sound design techniques Feedforward Sounds. In this tutorial entitled “Creative Miking Techniques” Stocco goes into great detail to explain some of his techniques developed for sound design through creative recording.
“From my point of view, even in these days where plugins, controllers and apps have become important tools for music production and sound design, being able to effectively and creatively use microphones remains essential, because creating original sounds from all kind of acoustic sources remains essential.”