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Posted by on Aug 11, 2011 | 1 comment

Advantages of Nuendo for Sound Post-Production

Mix Online has published an article with sound editor Kelly Pieklo, who shares his thoughts about using Nuendo as his main workstation for sound post-production:

Minneapolis-based post-production company Splice Here® ( and Sound Editor Kelly Pieklo are enjoying some recent successes, thanks in large part to Steinberg’s Nuendo platform. Director Eric Howell’s “Ana’s Playground,” on which Pieklo filled Sound Editor and Sound Designer roles, recently made the Academy’s Short List for the 2011 Live-Action Short Film Oscar. Additionally, Director Brady Kiernan brought his feature, “Stuck Between Stations,” to Splice and Pieklo for all sound post-production services. The film premiered with four sold-out screenings at New York’s Tribeca Film Festival in April 2011.

“Both of these projects were an absolute joy to be a part of, and each brought different creative sound editing challenges to the table,” says Pieklo. “The choice to work in Nuendo gave me the ability to speed up my editing and clean-up process, which in turn allowed me to spend more time creating and fine-tuning the soundtrack per the directors’ requests.”

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1 Comment

  1. I’ve been using Nuendo now as my DAW for the last 5 years and have loved it. With the added features in V5, it’s promising to see where the product is going. It’s powerful and extremely flexible.

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