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	<title>Comments on: Exclusive Interview with Paul Ottosson, Sound Designer of &#8220;2012&#8243;</title>
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	<link>http://designingsound.org/2009/12/exclusive-interview-with-paul-ottosson-sound-designer-of-2012/</link>
	<description>The Art and Technique of Sound Design</description>
	<lastBuildDate>Sat, 11 Feb 2012 22:39:17 +0000</lastBuildDate>
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		<title>By: Pashalex</title>
		<link>http://designingsound.org/2009/12/exclusive-interview-with-paul-ottosson-sound-designer-of-2012/#comment-3348</link>
		<dc:creator>Pashalex</dc:creator>
		<pubDate>Wed, 24 Feb 2010 11:56:35 +0000</pubDate>
		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=1420#comment-3348</guid>
		<description>It&#039;s good they released the film before 2012, otherwise not much time to cash up. All the best.</description>
		<content:encoded><![CDATA[<p>It&#8217;s good they released the film before 2012, otherwise not much time to cash up. All the best.</p>
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		<title>By: Create Digital Music &#187; Real for Reel: The Amazing Sherlock Holmes Experibass, and More Winter Cinema Sounds</title>
		<link>http://designingsound.org/2009/12/exclusive-interview-with-paul-ottosson-sound-designer-of-2012/#comment-2179</link>
		<dc:creator>Create Digital Music &#187; Real for Reel: The Amazing Sherlock Holmes Experibass, and More Winter Cinema Sounds</dc:creator>
		<pubDate>Mon, 28 Dec 2009 06:13:13 +0000</pubDate>
		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=1420#comment-2179</guid>
		<description>[...] Exclusive Interview with Paul Ottosson, Sound Designer of “2012? [Designing Sound @ noisepages] [...]</description>
		<content:encoded><![CDATA[<p>[...] Exclusive Interview with Paul Ottosson, Sound Designer of “2012? [Designing Sound @ noisepages] [...]</p>
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		<title>By: speakerfood</title>
		<link>http://designingsound.org/2009/12/exclusive-interview-with-paul-ottosson-sound-designer-of-2012/#comment-1902</link>
		<dc:creator>speakerfood</dc:creator>
		<pubDate>Tue, 15 Dec 2009 13:51:31 +0000</pubDate>
		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=1420#comment-1902</guid>
		<description>&lt;p&gt;@Joe&lt;/p&gt;
&lt;p&gt;Nice interview, although it feels like he&#039;s holding back a lot of information about sound sources. I don&#039;t understand the multiband compressor either. How does that make the sound more &#039;impressive&#039;?&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>@Joe</p>
<p>Nice interview, although it feels like he&#8217;s holding back a lot of information about sound sources. I don&#8217;t understand the multiband compressor either. How does that make the sound more &#8216;impressive&#8217;?</p>
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		<title>By: Joe Hanley</title>
		<link>http://designingsound.org/2009/12/exclusive-interview-with-paul-ottosson-sound-designer-of-2012/#comment-1895</link>
		<dc:creator>Joe Hanley</dc:creator>
		<pubDate>Tue, 15 Dec 2009 02:57:28 +0000</pubDate>
		<guid isPermaLink="false">http://designingsound.noisepages.com/?p=1420#comment-1895</guid>
		<description>&lt;p&gt;Great interview! I was curious about one thing he said:&lt;/p&gt;
&lt;p&gt;&quot;try make it sound interesting and huge without having to be played at a very loud level to impress. I do that by compressing with a multiband compressor&quot;&lt;/p&gt;
&lt;p&gt;How exactly does he do this?&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>Great interview! I was curious about one thing he said:</p>
<p>&#8220;try make it sound interesting and huge without having to be played at a very loud level to impress. I do that by compressing with a multiband compressor&#8221;</p>
<p>How exactly does he do this?</p>
<p> </p>
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