http://designingsound.org/2009/10/implementing-sound-design-in-video-games/ The Art and Technique of Sound Design Wed, 23 May 2012 23:36:12 +0000 hourly 1 http://wordpress.org/?v=3.1.4 http://designingsound.org/2009/10/implementing-sound-design-in-video-games/#comment-7066 LiterallyGaming.com Wed, 02 Jun 2010 01:13:34 +0000 http://designingsound.noisepages.com/?p=843#comment-7066 Rather interesting concept on sound creation for games. I loved it! Thanks for a good read. Rather interesting concept on sound creation for games. I loved it! Thanks for a good read.

]]> http://designingsound.org/2009/10/implementing-sound-design-in-video-games/#comment-2874 Sam Sun, 31 Jan 2010 05:12:17 +0000 http://designingsound.noisepages.com/?p=843#comment-2874 Good post Aaron, I've just been starting with video game music recently with an iPhone game. I've been using SD2 and a few other VST's from EastWest. Cheers! Good post Aaron, I’ve just been starting with video game music recently with an iPhone game. I’ve been using SD2 and a few other VST’s from EastWest. Cheers!

]]> http://designingsound.org/2009/10/implementing-sound-design-in-video-games/#comment-748 Ross Wed, 14 Oct 2009 08:39:24 +0000 http://designingsound.noisepages.com/?p=843#comment-748 <p>Can you talk about real-time signal processing within games.  By this I mean having one flat, clean sound file that is processed in many different ways based one the players perspective and place within the game. For example, the player fires a gunshot outside, there is no reverb but there is just a faint echo. The faint echo is added by the game engine in real time.  When the player moves into a tunnel, the gunshot has a lot of reverb introduced and a different echo.  Any information on this would be greatly appreciated.  Thanks!</p> Can you talk about real-time signal processing within games.  By this I mean having one flat, clean sound file that is processed in many different ways based one the players perspective and place within the game. For example, the player fires a gunshot outside, there is no reverb but there is just a faint echo. The faint echo is added by the game engine in real time.  When the player moves into a tunnel, the gunshot has a lot of reverb introduced and a different echo.  Any information on this would be greatly appreciated.  Thanks!

]]> http://designingsound.org/2009/10/implementing-sound-design-in-video-games/#comment-734 Miguel Isaza Mon, 12 Oct 2009 19:32:31 +0000 http://designingsound.noisepages.com/?p=843#comment-734 <p>Thanks, Aaron! I'm glad to know that you like the website :)</p> Thanks, Aaron! I’m glad to know that you like the website :)

]]> http://designingsound.org/2009/10/implementing-sound-design-in-video-games/#comment-733 Aaron Mon, 12 Oct 2009 19:28:26 +0000 http://designingsound.noisepages.com/?p=843#comment-733 <p>Just discovered this website. I'm doing a Masters degree in Sonic Arts and this website has some great interviews and tips. The latest (on Video Games Sound Design) is also something I'm very interested in. I've discovered this website a bit late (in terms of its existence) and the good thing about that is I can catch up on all the other great articles from the past. Great website. :)</p> Just discovered this website. I’m doing a Masters degree in Sonic Arts and this website has some great interviews and tips. The latest (on Video Games Sound Design) is also something I’m very interested in. I’ve discovered this website a bit late (in terms of its existence) and the good thing about that is I can catch up on all the other great articles from the past. Great website. :)

]]>