Exclusive Interview with Gregory King, Supervising Sound Editor on “The Kingdom”

Friday, September 28, 2007

“The Kingdom” explodes into theaters September 28th. Sound supervisors Gregory and Darren King rallied their troops including sound designer Yann Delpuech, for an all-out editorial assault. A part…

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“The Assassination of Jesse James by the Coward Robert Ford” (Pt.1) – Exclusive Interview with Scoring Mixer Jake Jackson

Friday, September 21, 2007

“The Assassination of Jesse James by the Coward Robert Ford” drifts into theaters September 21st. Sound supervisor Richard King and additional sound supervisor Hamilton Sterling wrangled up their…

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Exclusive Interview with Michael O’Farrell, Supervising Sound Editor on “Eastern Promises”

Monday, September 17, 2007

“Eastern Promises” hits theaters September 14th. Supervising Sound editors Wayne Griffin and Michael O’Farrell helped mark the soundtrack with dialog, ADR, effects, and Foley. O’Farrell, whom supervised director…

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The Music Soundtrack

Wednesday, September 12, 2007

I am glad to see the academy rolling out more of these events! “This three-evening seminar series offers a detailed look at the music scoring process from the…

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Exclusive Interview with Rob Nokes, Sound Effect Recordist on “3:10 To Yuma”

Thursday, September 6, 2007

“3:10 to Yuma” saunters into theaters September 7th. Donald Sylvester, who supervised director James Mangold’s last effort “Walk the Line,” dueled with the sound editorial. Sylvester, a sound editing renaissance man…

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September: Mix Magazine

Thursday, September 6, 2007

September’s issue of Mix Magazine unloaded a bunch film sound articles online today…. “The Invasion’s” Gregg Rudloff, “Captivity’s” Melissa Hofmann, and “Halloween’s” Perry Robertson unleash their tales of…

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